Behringer B-2 Pro Review / Test

Today we're looking at a "higher end" microphone from the budget company Behringer; the Behringer B-2 Pro. 

For this review, I have the mic connected directly to the Focusrite Scarlett 2i2 2nd gen, with the gain set at 10:30. I have done no post processing on the audio, it is all raw, but the audio was slightly boosted in final cut pro X to simply make the audio easier to listen to.

If you are interested in this microphone, it will set you back $150.00 on Amazon

What's In the Box

1. Hardshell Storage Box

2. Microphone

3. Shockmount (Includes: 5/8" & 3/8" adapter)

4. Foam Windscreen

5. Documentation

Specifications

1. Frequency Response: 20Hz - 20kHz

2. Polar Pattern: Cardioid, Omnidirectional, Bidirectional

3. Sensitivity: -37dB to -34dB

4. Max SPL: 137 / 149dB

5. Equivalent Noise: 16-18dBA

6. Impedance: <100-ohms

7. Power Requirement: +48v

Performance / Features

The build quality of this mic feels fairly average for mics in the $100 price range. It has an all metal body as well as a somewhat flimsy feeling metal mesh grill. On the front you will find a 3-way polar pattern selection switch to move between the cardioid, omnidirectional, and bi-directional polar patterns. On the rear you'll find the high-pass switch that rolls off at 6dB/octave at 150Hz, as well as a -10dB pad if you're recording loud sound sources. 

The frequency response is listed as 20Hz - 20kHz. We're only going to focus on the cardioid polar pattern response here as it's the most used pattern. It has a surprisingly flat response from 1kHz and below with a slight roll off beginning at 150Hz, which reaches -2dB by 50Hz. From 1kHz and up there's a gradual boost that hits +2dB at 7kHz, and then there's a large boost which reaches +5dB at 10kHz and gradually rolls off until it hits 0dB at 20kHz.

The overall performance here was decent. On the electric guitar, the low end felt a little loose, but did not get muddy, and then the treble air boost provided a nice amount of liveliness to the recording. The acoustic guitar sounded too focused in the high end, and left the strings resonance sounding dominating and a bit of a grating tone all around. For singing, the mic added a breathy quality to the voice as well as a bit of extra grit. For spoken word, I think the high end is a detriment to the microphone as it accentuates mouth noises, breathe, and sibilance a bit too much.

Pros

• Relatively flat low mids and lows

• All polar patterns are pretty usable (Rare in this price range)

• Nice build quality

• Plenty of nice accessories

Cons

• Shrill in the higher end

• Susceptible to plosives

• Relatively high noise floor at 16-18dBA

Conclusion

Although this microphone would not be my first choice in any use case, for the price I think it's a pretty good deal. Therefore, if you're looking for your first mic to record music in your home studio, I think this would be a fine option given the plethora of accessories that are provided with the microphone, and the clean and clear tone you can get out of the microphone. Just make sure to pick up a pop filter along with the microphone.  

If you have any additional questions about this microphone, leave them on the youtube video, and I will try to reply ASAP. 

Buy the Behringer B-2 Pro
US: https://amzn.to/2L3nqAU
UK: https://amzn.to/2zvQRui
CA: https://amzn.to/2N4g29d
DE: https://amzn.to/2uarcC0

Buy the Focusrite Scarlett 2i2 (2nd Gen)
US: http://amzn.to/2vDFbzK 
UK: http://amzn.to/2w8O2f6 
CA: http://amzn.to/2wKGKfG 
DE: http://amzn.to/2hbtxsV

Sennheiser MK4 Mic Review

Today we're looking at the Sennheiser MK4 XLR Condenser Microphone, which is a great way to get into the Sennheiser / Neumann condenser mic ecosystem. 

For this review, I have the mic connected directly to the Focusrite Scarlett 2i2 2nd gen, with the gain set at 11:00. I have done no post processing on the audio, it is all raw, but the audio was slightly boosted in final cut pro X to simply make the audio easier to listen to.

If you are interested in this microphone, it will set you back $300.00 on Amazon

What's In the Box

1. Carrying/Storage Pouch

2. Microphone

3. Microphone Mount (5/8" & 3/8" threading)

4. Documentation

Specifications

1. Frequency Response: 20Hz - 20kHz

2. Polar Pattern: Cardioid

3. Sensitivity: ~-32dB

4. Self Noise: 10dBA

5. Impedance: 50-ohms

Performance / Features

The build quality of this mic is good. I'm legitimately running out of things to say about all these mics. Most of them have an all metal body and a metal grill. This mic is no different. It has no switches for a padding or high pass / low pass, but on the bottom you'll find an XLR port. 

The frequency response is listed as 20Hz - 20kHz. This has a minor roll off beginning at 150Hz, and a much more drastic roll off beginning at 50Hz. The low-mids are flat until you hit 1kHz and it boosts 1dB with the peak at 1.5kHz which then returns to flat at 2.5kHz where it begins it's presence/treble/air boost beginning at 2.75kHz and ranging all the way up to 10kHz, where it gradually rolls off the air, where it is neutral at ~14kHz.

The overall performance of this mic is great for the price. On electric guitar, this mic sounds a bit dull because it's not over boosted anywhere, but I think fo that as a good thing when recording. On acoustic it sounded stellar with a good body and plenty of shimmer on the top. For singing it had a nice and airy tone, and on spoken word it had plenty of clarity that could be offset beautifully while utilizing the proximity effect. Additionally the off axis coloration around 90-degrees is not unpleasant like many cheaper condensers, which will yield a much better sounding recording if you're in a reverberant room. 

Pros

• Nice, fairly subtle coloration

• Good off axis coloration

• Pretty hot output signal

• Decent job at background noise rejection

• Respectable 10dBA self noise

• Good built quality

Cons

• I personally don't like the look of it.

Conclusion

This seems to be a great all purpose microphone as it worked well on everything I tested it on. I think where it really shines is on voice over. The thing I have loved about the Neumann condensers I have tested is the proximity effect. This microphone offers that buttery smooth low end that helps off set the boosts to the presence/treble/air, and it sounds stellar for that considering the price. 

If you have any additional questions about this microphone, leave them on the youtube video, and I will try to reply ASAP. 

Buy the Sennheiser MK4
US: https://amzn.to/2Jz9ims
UK: https://amzn.to/2t0Iv7k
CA: https://amzn.to/2HGDuWL
DE: https://amzn.to/2HFmBMh

Buy the Focusrite Scarlett 2i2 (2nd Gen)
US: http://amzn.to/2vDFbzK 
UK: http://amzn.to/2w8O2f6 
CA: http://amzn.to/2wKGKfG 
DE: http://amzn.to/2hbtxsV

Neewer NW-8 XLR Condenser Mic Review

Today I review another super cheap OEM microphone from China from Neewer, the Neewer NW-8.

For this review, I have the mic connected directly to the Focusrite Scarlett 2i2 2nd gen, with the gain set at 10:00. I have done no post processing on the audio, it is all raw, but the audio was slightly boosted in final cut pro X to simply make the audio easier to listen to.

If you are interested in this microphone, it will set you back $30.00 on Amazon

What's In the Box

1. Microphone

2. Windscreen

3. Shockmount

4. 5/8" to 3/8" Adapter

5. XLR to 3.5mm Cable

6. 3.5mm TRRS Splitter

7. Documentation

Specifications

1. Frequency Response: 20Hz - 20kHz

2. Polar Pattern: Cardioid

3. Sensitivity: ~-37dB

4. Impedance: 150-ohms

Performance / Features

The build quality of this mic feels sub par. The body is all plastic with a metal grill. It does have a little bit of weight to it which adds a decent feel to it, but all around it feels like an unreliable, poorly built microphone. 

The frequency response is listed as 20Hz - 20kHz. They did not provide a frequency response graph of this microphone, which is not surprising given the price. Listening to it though, it sounds as though it lacks in the low end as well as the high end, making for a somewhat mid forward microphone.

The polar pattern of this mic is standard cardioid. It does not do a great job at off axis or background noise rejection, and the coloring as you move around the mic changes pretty drastically. 

The overall performance of this mic is about as good as you would expect out of a $30 microphone. If you connect it direct to your computer with the provided 3.5mm cables, it does not sound good at all as there is lots of noise. If you connect it to an USB Audio Interface with phantom power and an XLR cable, it sounds decent. As previously mentioned it does seem very mid forward, but I did not hate it for electric, acoustic, or for singing. For spoken word, the lack in the low end, and the lack in clarity makes this sound like exactly what it is, a $30 microphone. 

Pros

• Dirt cheap

• Lots of accessories

• When connected to USB Audio Interface, it's usable

Cons

• Not a good build quality

• When connected as 3.5mm mic, it sounds bad

• Lacks in low end & high end.

Conclusion

If you are just recording demos so you can hear your song ideas, I think this microphone would be fine. But if you're planning on using this microphone for any form of professional application I believe you should move on to another microphone. 

If you have any additional questions about this microphone, leave them on the youtube video, and I will try to reply ASAP. 

Buy the Neewer NW-8
US: https://amzn.to/2Khy7jl
UK: https://amzn.to/2HsUMLD
CA: https://amzn.to/2r0CAz4
DE: https://amzn.to/2r5j03w

Buy the Focusrite Scarlett 2i2 (2nd Gen)
US: http://amzn.to/2vDFbzK 
UK: http://amzn.to/2w8O2f6 
CA: http://amzn.to/2wKGKfG 
DE: http://amzn.to/2hbtxsV

Cyber Acoustics USB Condenser Mic (CVL-2006) Review

Today I'm reviewing a USB multi-pattern condenser microphone and I don't know what the proper name is. I think it's the Cyber Acoustics Tahoe, or Rainier CVL-2006, or Cyber Acoustics CVL-2006.

For this review, I have the mic connected directly to my 2017 iMac with the computers gain set to 100% and the microphone gain set at approximately 25-30%. I have done no post processing on the audio, it is all raw, but the audio was slightly boosted in final cut pro X to simply make the audio easier to listen to.

If you are interested in this microphone, it will set you back $70.00 on Amazon

What's In the Box

1. Microphone

2. Desktop Stand

3. Foam Windscreen

4. 1.5m Cable

5. Documentation

Specifications

1. Frequency Response: 20Hz - 20kHz

2. Polar Pattern: Cardioid / Omnidirectional

3. Max SPL: 124dB

4. S/N Ratio: 121dB

5. Bit Depth: 16-Bit

6. Sample Rate: 48kHz

Performance / Features

The build quality of this microphone decent. It has a metal body, and a metal grill that feel sturdy enough. The desktop stand is flimsy feeling and offers no shock absorption so it picks up every bump of your desk. On the front you have a headphone volume control, microphone gain control, and an indicator light to let you know if it's plugged in and getting power. 

On the back of the mic you'll find a button to switch between cardioid and omnidirectional polar patterns. On the bottom you'll find the USB port to connect this to your computer, a 3.5mm headphone jack which does offer latency free monitoring (which cannot be turned off unless you turn the mic volume all the way down), and a 1/4" threading for additional mounting options (this is the standard camera mount size.

The frequency response is listed as 20Hz - 20kHz. I don't know if this is accurate, and no frequency response graph was provided. All I can say is that this thing sounds harsh and thin, and all around is painful to listen to.

The polar pattern of this mic is cardioid or omni directional. The cardioid polar pattern seems fairly wide so it tends to pick up a bit of room noise, and the omni polar pattern just sounds bad.

The overall performance of this mic left a lot to be desired. There's a constant underlying digital interference in the noise floor, the tone was painful to listen to while editing the video, the fact that you can't turn off latency free monitoring without muting the mic is irritating, and the fact that it doesn't have a standard mounting option just adds an additional cost.

Pros

• Offers latency free monitoring

Cons

• Harsh & Thin tone

• Constant digital interference in the noise floor

• Can't turn off latency free monitoring

• Camera mount threading and not a mic stand threading

• Flimsy desktop stand that picks up all bumps of deak

• Bit depth limited to 16-bit

Conclusion

I do not recommend this microphone. In my opinion, this mic seems like it's attempting to compete with something like the Blue Yeti, but it fails on all fronts. I think you'd be better off saving some money by going with the Q2u, or spending the same amount on an ATR2100USB or AT2005USB. Or if you're deadset on a usb multipattern condenser microphone, go with the Blue Yeti. 

If you have any additional questions about this microphone, leave them on the youtube video, and I will try to reply ASAP. 

Buy the Cyber Acoustics CVL-2006
US: https://amzn.to/2JnORFh
UK: N/A
CA: https://amzn.to/2qa4s2c
DE: N/A

Samson C01 XLR Condenser Mic Review

Today we're not looking at another microphone from Samson, the C01.

For this review, I have the mic connected directly to the Focusrite Scarlett 2i2 (2nd Gen), with the input gain set at approximately 12:00. I have done no post processing on the audio, it is all raw, but the audio was slightly boosted in final cut pro X to simply make the audio easier to listen to.

If you are interested in this microphone, it will set you back around $75 on Amazon

What's In the Box

1. Plastic Storage Box

2. Microphone

3. Microphone Mount

4. 5/8" to 3/8" Stand Adapter

5. Documentation

Specifications

1. Frequency Response: 40Hz - 18kHz

2. Polar Pattern: Hyper Cardioid

3. Sensitivity: ~ -33dB

4. Impedance: 200-ohms

5. Max SPL: 136dB

Performance / Features

The build quality of this microphone is perfectly fine given the price. It has an all metal body as well as a sturdy metal mesh grill, and a good amount of weight to it coming in at 1.1 lb. On the front of the microphone you'll find a blue LED light that lights up when phantom power on your interface is turned on and on the bottom you'll find the XLR port. 

The frequency response is listed as 40Hz - 18kHz. The bass frequencies begin to roll off at 150Hz but peak again at around 95Hz before rolling off the remainder of the low frequencies. The mids and presence fluctuate quite a bit with a minor boost around 600-700hz, a peak at around 1.7kHz, 2.7kHz, and 5.5kHz, with a broad boost from 6Khz to 12kHz. 

The polar pattern of this mic is Hyper-cardioid. This means that the front is sensitive and the rear of the mic has a small lobe of sensitivity with the dead spots around 112-degrees. 

The overall performance of this mic lacks. As far as a vocal mic it seems to lack significantly in the low frequencies, sounds a bit nasally, and has some minor sibilance issues as well. On the electric guitar, I had to put the mic right on top of the amp to get some low end in the guitar, but it did end up sounding fairly decent. The acoustic on the other hand sounded brittle in the high end. Something that was not listed on the specifications sheet was the self noise, and when I was testing the mic, it seemed like a fairly big downfall of this mic. Finally, the tone of the mic all around was somewhat harsh and become painful to listen to after lengthy listening sessions. 

Pros

• Pretty good build quality

• Comes with a storage box

Cons

• Subpar performance with self noise

• Lacks in the low end

• Sibilance issues

• Harsh tone that became painful after long listening sessions

Conclusion

I was somewhat let down by this microphone. I have really enjoyed the majority of Samson mics on the market, but this one didn't meet my expectations. The frequency response left a lot to be desired in that it left the voice and guitar sounding thin and harsh. The self noise also makes this unusable for professional applications as well.

Due to how competitive the mic market is, I don't think I can recommend this mic. There are too many mics in this price range for me to recommend a mic that doesn't perform amazingly.

If you have any additional questions about this microphone, leave them on the youtube video, and I will try to reply ASAP. 

Buy the Samson C01
US: https://amzn.to/2JgDkHs
UK: https://amzn.to/2EdQZvt
CA: https://amzn.to/2pZmnJ5
DE: https://amzn.to/2pZZPZu

Buy the Focusrite Scarlett 2i2 (2nd Gen)
US: http://amzn.to/2vDFbzK 
UK: http://amzn.to/2w8O2f6 
CA: http://amzn.to/2wKGKfG 
DE: http://amzn.to/2hbtxsV

Neumann TLM102 vs Neumann TLM103 Comparison

TLM102

Price: $700
Polar Ptrn: Cardioid
Freq Response: 20Hz - 20kHz
Sensitivity: -39dB
Max SPL: 144dB
Self Noise: 12dBA
Impedance: 50-Ohms

TLM103

Price: $1,100
Polar Ptrn: Cardioid
Freq Response: 20Hz - 20kHz
Sensitivity: -33dB
Max SPL: 138dB
Self Noise: 7dBA
Impedance: 50-Ohms

Today we're comparing two high end microphones, the Neumann TLM-102 and TLM-103, in order to determine what the differences are, and which microphone is better.

The build quality of both of these mics is excellent. They both have an all metal body and metal grill and feel extremely well put together. The TLM102 is significantly smaller than the TLM103 though. It's about half the size of most other condenser microphones I've used as well.

The frequency response of these mics vary from one another. Both mics begin to roll off the bass frequencies at the same frequency, ~70Hz, however, the TLM102 has a more drastic high pass. Once we get up to ~4kHz, the TLM103 begins gradually boosting until it peaks at +4dB at 6.5kHz, and remains flat until 15kHz at which point it rolls off the air frequencies hitting -5dB at 20kHz. The TLM102 on the other hand remains flat until ~5.5kHz and then has a minor cut before boosting at 6.5kHz and peaking at 7.5kHz with a boost of ~3.5dB. The TLM102 then begins to slightly roll off the air frequencies starting at ~13kHz and drastically begins to roll off the air at ~14kHz hitting -8dB at 20kHz. 

As far as the overall performance of these microphones, both performed similarly in terms of background noise rejection, off axis coloration, and distance pickup. Where they really begin to diverge is when we compare the sensitivity and self noise. The TLM103 has a sensitivity that is +6dB louder than the TLM102 meaning you won't need to drive your preamp as hard. Additionally, the self noise of the TLM103 is 5dBA quieter than that of the TLM102 which means you'll have less noise introduced to your signal from the microphone. The tone of the TLM103 sounds brighter due to the earlier boost and more extended boost, but it also sounds slightly more mid forward. The TLM102 sounds very slightly darker, and when the two mics are A/B'd it almost sounds as though it has a minor scooped mid frequency due to the presence boost beginning 2.5kHz higher than the 103.

With all of the benefits of the TLM103 over the TLM102, I have to declare the WINNER the Neumann TLM103. This is due to the higher output level, lower self noise, smoother high frequencies, slight mid forward sound, and more extended bass frequencies. All of these factors, in my opinion, provide a better recording, which is what you'd expect given it costs $400 more.

If you have any questions, or want to provide your input, please leave a comment on the youtube video.

Buy the Neumann TLM-102
US: http://amzn.to/2wsL9GR 
UK: http://amzn.to/2wCPuHC 
CA: http://amzn.to/2xxbH6s 
DE: N/A

Buy the Neumann TLM103
US: https://amzn.to/2IT9gSa 
UK: https://amzn.to/2upKG8m 
CA: https://amzn.to/2I8Raur 
DE: N/A

Buy the Audient ID4
US: http://amzn.to/2BDwx9A 
UK: http://amzn.to/2sBOaUw 
CA: http://amzn.to/2HqSTvn 
DE: http://amzn.to/2GsVMe0

CAD U1000 USB Studio Condenser Mic Review / Test

Today we're reviewing a potato, I mean a microphone from CAD; the CAD U1000. This mic is listed compatible with Windows & Mac.

For the majority of this review, I have connected the mic directly to my mac computer with the computer gain set at ~35%. I have not boosted the audio at all in post, and there is no other post processing completed on the audio.

If you are interested in this microphone, it will set you back $40-$80 on Amazon

What's In the Box

1. Microphone

2. Wind Screen

3. USB to USB cable

4. Microphone Mount

5. Desktop Microphone Stand

6. Documentation

Specifications

1. Frequency Response: 20Hz - 20kHz

2. Polar Pattern: Cardioid

3. Sampling Rate: 44.1kHz

4. Bit Depth: 16-Bit

Performance / Features

The build quality of this microphone feels decent. It has an all metal body and a metal grill covering the capsule. On the front of the microphone you will find a blue LED light to indicate that it is receiving power. Directly beneath this, you will find a headphone volume up and down control. Next you'll find a microphone mute button that does not mute the microphone's signal to the computer, but rather mutes the zero latency monitoring. Lastly you will find a 3.5mm headphone port which does offer latency free monitoring.

The frequency response is listed as 20Hz - 20kHz. I do not think this microphone offers any sound worth discussing in depth. It is underwhelming and sounds exactly like you would expect a low end USB mic to sound.

The polar pattern of this mic is listed as cardioid. It did pick up a fair amount of audio as we moved around the microphone, and also picked up a bit of the quiet keyboard that I test while reviewing the mic.

The overall performance of this mic is mediocre at best. As you can tell, throughout the majority of the review (on the mac), there are clipping artifacts in the audio. I demonstrate how no matter what gain I set the mic at, there are clipping artifacts. On the windows machine this issue did not occur. My issue here is that the mic is listed as compatible with Windows and MAC, and just like other CAD mics I've tested, the performance on the MAC computer leaves a LOT to be desired.

Pros

• Comes with everything you need

• Fairly quiet preamp

• Zero latency monitoring

• Decent build quality

Cons

• If you get too close to the microphone on a mac, it clips

• Audio recorded sounds very mediocre

Conclusion

No I do not recommend this microphone, even if you can get it for the discounted $40. I think that the clipping issue on the mac is unacceptable and do not have faith in a company that would release a product like this.

Some of you may be thinking I'm being too harsh, and that this could be attributed to a faulty unit, however, I have tested out two other CAD microphones and experienced very similar issues, and was not able to receive any assistance from the company. For $40, I would suggest looking at something like the Samson Go Mic, and all around better microphone.

If you have any additional questions about this microphone, leave them on the youtube video, and I will try to reply ASAP. 

Buy it on Amazon
US: http://amzn.to/2lAwHGU
UK: NA

Marantz Professional Pod Pack 1 Review / Test

Today we are testing out a microphone pack that I picked up for $17; the Marantz Professional Pod Pack 1 Kit.

If you are interested in this microphone kit, it will set you back $17 on Amazon

What's In the Box

1. Microphone

2. USB Cable

3. Microphone Mount

4. Boom Arm Mic Stand

5. Documentation

Specifications

1. Frequency Response: 20Hz - 17kHz

2. Polar Pattern: Cardioid

3. Sensitivity: -34dB

4. Max SPL: 132dB

5. Impedance: 100-Ohms

6. Power Requirement: 5v Provided Through USB Plug

Performance / Features

The build quality of this mic is nothing special. It has an all plastic construction and it does not feel like it can handle a beating. There are no features on the microphone; no headphone port, no light, nothing. The boom arm has an all metal construction, and feels very reminiscent of a Neewer Boom Arm, and I was not able to tighten the head to ensure the microphone would not swivel. 

The frequency response of this mic is 20Hz - 17kHz, and in all honesty, the mic sounds decent. It doesn't have the greatest low end performance, but it has a decent amount high frequencies without sounding harsh. 

The cardioid polar pattern, also did an admirable job. It did a good job at rejection on the sides of the mic, but as you move around the back, it starts to pick up low frequencies again. It also did pick up a bit of keyboard noise as well, but it wasn't unbearable. 

I was absolutely blown away by this microphones noise floor. This is typically the place where you can tell that you're using a budget usb microphone, but the preamps in this thing were extremely clean all the way up to 75%, at which point you start to get a slight bit of digital noise. But all around, the audio was still usable; all you would have to do is pass the audio through a noise gate.

Pros

• Super cheap

• Low noise floor

• Decent audio performance

• Comes with everything you need to start recording

Cons

• Build quality feels subpar

Conclusion

When reviewing this mic, it was important to remember that I picked this up for under $20. For that price, I think that this microphone pack is an absolute steal. Out of all the budget USB microphones I have tested to date, this one has the best sound quality on instruments, on voice, and ESPECIALLY on the noise floor (apparent during the gain test). If you are looking for a budget USB microphone, then buy this pack and a pop filter and you should be set, and ready to start recording!

If you have any additional questions about this microphone, leave them on the youtube video, and I will try to reply ASAP. 

Buy it on Amazon
US: http://amzn.to/2lumDvv
UK: http://amzn.to/2ksfGv2

FiFine USB Condenser Mic (K056 / K058) Review / Test

Today, we're looking at another budget microphone straight from China, the FiFine K056 / K058 USB Condenser Microphone.

The main difference between this mic and the BM-100FX & NW-300E is the fact that this has 4-Pin XLR plug and a 4-Pin XLR to USB Cable, while the former 2 mics have a 3-Pin XLR plug and a 3-Pin XLR to USB/3.5mm Cable. The BM-100FX & NW-300E did not work well without the addition of a USB Soundcard to your audio connection; The K056 & K058 allow you to plug directly into your computer without the need for any additional gear. 

If you are interested in this microphone kit, it will set you back $30 on Amazon

What's In the Box

1. Microphone

2. 4-Pin XLR to USB Cable

3. Windscreen

4. Microphone Mount

5. 5/8" to 3/8" Mic Stand Adapter

6. Desktop Microphone Stand

7. Documentation

Specifications

1. Frequency Response: 20Hz - 20kHz

2. Polar Pattern: Cardioid

3. Sensitivity: -32dB

4. Max SPL: 130dB

5. Impedance: 1000-Ohms

6. Power Requirement: 5v Provided Through USB Plug

Performance / Features

The build quality of this microphone is nothing great. It feels as though it is made with very cheap metal, so I would be careful with this mic. There are two dials on the side that control Volume & Echo. Unfortunately, the dials feel a bit loose and wobble when you put any pressure on them. The bottom of the microphone is the 4-PIN XLR PORT, which means you can ONLY USE 4-Pin XLR cables on this thing, so keep that in mind when shopping around. If this cable goes bad you may be out of luck in terms of a replacement. The desktop stand, microphone mount, and windscreen are also built with low quality materials.

The frequency response of this mic is 20Hz - 20kHz. I spent about 15 minutes trying to find a decent microphone placement for the electric guitar, but realized that it wasn't the placement that was bad, it was the mic. It lacked the majority of presence and just sounded dull. The acoustic was barely passable as well. It sounded as though it had a pulsating effect on it which made it unusable. The vocals, were okay at best. They lacked any shine or warmth, and were underwhelming.

The cardioid polar pattern did a nice job at background noise rejection, but still picked up a decent amount of keyboard noise. I believe that the echo feature is insane to include on a microphone. It only provides with the ability to control the intensity of the echo, with no way to adjust the timing of the echo. Also, there's no way to turn the echo off completely. Even with the dial set to 0, you can still hear a very slight echo.

Pros

• Single USB plug

• Volume Control on Mic

• Echo (some may view it as a pro, although I hate it)

• Cheap

Cons

• Cannot completely turn off Echo

• 4-Pin XLR is not very common (difficult to find replacement cable)

• Cheap build quality

• Subpar performance on Electric, Acoustic, and Singing

Conclusion

I think this mic is just decent. When I heard it I was not blown away, I was left thinking "Yup. That's what I expected from a $30 microphone". The polar pattern is fine, the frequency response left a lot to be desired in the higher frequencies, and the echo feature baffles me since you can't turn it completely off.

I'm not going to recommend this for any musicians as it does not sound good in any of the tests I performed. I'm not going to recommend it for podcasters either because having a slight echo would drive your listeners mad.

The only people I'm going to suggest this for are people who want a cheap mic to improve their Skype phone calls, people who want to do live streaming, or people who want to do light gaming commentary. Skype calls can have that very slight echo without bothering anyone, and for live streaming / gaming commentary, you'll have the game sound in the background to mask those imperfections.

If you have any additional questions about this microphone, leave them on the youtube video, and I will try to reply ASAP. 

Buy the K056/K058
US: http://amzn.to/2l0ILys
UK: http://amzn.to/2l0FajM

Rode M3 Condenser Mic Review

Today, we're looking at another microphone from Rode; the Rode M3. 

This is an XLR condenser microphone, which means you will need to connect this to an audio interface that offers +48v of phantom power. For this review, I have connected the mic to my computer using the Focusrite Scarlett Solo, with the +48v phantom power turned on and my gain set around ~55%. In post, I did boost the signal +8dB as well, but no actual post processing was done.

What is really unique about this microphone is that it is Multi-Powered, meaning you can power the microphones capsule through different methods; with the standard +48v phantom power, or with a 9v battery!!!

If you are interested in this microphone kit, it will set you back $150 on Amazon

What's In the Box

1. Microphone

2. Pouch

3. Microphone Mount

4. 5/8" to 3/8" Mic Stand Adapter

5. Windscreen

6. Documentation

7. 10-Year Warranty

Specifications

1. Frequency Response: 40Hz - 20kHz

2. Polar Pattern: Cardioid

3. Sensitivity: -40dB

4. Max SPL: 142dB

5. Impedance: 200-Ohms

6. Phantom Power: 48v or a 9v Battery

Performance / Features

The build quality of this microphone feels incredible. It has a full metal construction that feels extremely well put together, as well as a decent amount of weight to it. This thing feels like an absolute tank. On the side we have a 3-way switch that allows you switch between 1) Off, 2) flat frequency response, 3) low cut filter. When you unscrew the bottom, you will find another 3 way switch that allows you to turn on a -10dB or -20dB pad, as well as a spot to install a standard 9v battery.

The frequency response of this mic is 40Hz - 20kHz. The electric guitar sounded pretty good, offering a decent amount of low end and plenty of crispy high frequencies. On the voice it did seem to lack a bit of lower frequencies, but it still sounded absolutely usable. Then on the acoustic guitar, it sounded incredibly natural. What I liked most about it was the percussiveness that it picked up from the strumming. This is a personal preference of mine, and it is one of my favorite mics I've come across for acoustic guitar.

The cardioid polar pattern did a nice job at background noise rejection. In a studio, I think this would work well for live tracking as it would help minimize bleed between microphones. For gamers and podcasters, it does seem like it would work well at eliminating background noise, but it may still pick up more than what you desire.

Pros

• Battery Powered

• Great build quality

• Great Natural Sound

• 10 YEAR WARRANTY!!!

Cons

• Lacks low end on voice

Conclusion

I think this microphone is EXCELLENT for the price. It is absolutely going into my rotation of mics I use for recording music. The tone is absolutely not going to be for everybody, but if you are looking for a microphone with a more mid/high focussed frequency response, then I think this is a great option.

If you run a professional studio, or you do a lot of interviews/recording in the field, I think this would be a great mic to add to your arsenal. Not only does it have an incredibly high Max SPL which will handle loud instruments really well, but it also allows you to power the mic with a 9v battery! Therefore, if you're ever out in the field, and don't have access to a phantom power supply, you don't have to worry.

I don't think I would PERSONALLY recommend this for podcasting or gaming because the tone doesn't seem to fit my voice. But if you have a deeper voice, this may provide the right frequency response which would help avoid too much bass while maintaining a crisp and clean high end. Another downside for this applications is that the polar pattern might also pick up more background noise than you would prefer. 

If you have any additional questions about this microphone, leave them on the youtube video, and I will try to reply ASAP. 

Buy the M3
US: http://amzn.to/2jjNFaP
UK: http://amzn.to/2jjx8Uq

Buy the Focusrite Scarlett Solo
US: http://amzn.to/2jpDz96
UK: http://amzn.to/2iA4ZER

Rode NT1-A Anniversary Condenser Mic Review / Test

Today, we are looking at another high quality microphone from Rode, which is labeled The World's Quietest Studio Microphone; The Rode NT1-A.

This is an XLR condenser microphone, which means you will need to connect this to an audio interface that offers +48v of phantom power. For this review, I have connected the mic to my computer using the Focusrite Scarlett Solo, with the +48v phantom power turned on with my gain set around ~55%. In post, I did boost the signal +6dB as well, but no actual

If you are interested in this microphone kit, it will set you back $230 on Amazon

What's In the Box

1. Microphone

2. Pouch / Dust Cover

3. Shock Mount

4. Pop Filter

5. XLR to XLR cable

6. Documentation

7. 10-Year Warranty

Specifications

1. Frequency Response: 20Hz - 20kHz

2. Polar Pattern: Cardioid

3. Sensitivity: -31.9dB

4. Max SPL: 137dB

5. Impedance: 100-Ohms

6. Phantom Power: 24v - 48v

Performance / Features

The build quality of this microphone is excellent. We have a full metal construction with a metal grill. Unlike a stage ready dynamic mic, this mic is delicate, so I absolutely recommend using care while handling this. The pouch does not offer any padding, but it can be used as a dust cover while the mic is mounted on your stand. The shock mount is all metal and feels very well built while performing it's job admirably. The pop filter is attached to the shock mount and did an excellent job at eliminating plosives during the test. 

The frequency response of this mic is 20Hz - 20kHz. On the electric guitar, it sounded full and crisp. During the electric guitar test, the palm muting had plenty of punchy low end without sounding muddy, and sharp high end that was not overwhelming. While testing the acoustic, we hear a similar sound; full low-mids, and crisp highs. On the vocals, the mic seemed to focus on the mids and highs without too powerful of a low end. As with every mic, this is based off a single microphone placement, and as you know, playing around with the mic placement is essential when getting the correct tones for your recording.

The cardioid polar pattern offers just the right amount of background noise rejection while maintaining the ability for your room to color the recording. For gamers and podcasters, this may not be ideal because you want as little background noise as possible, but for professional recordings made in a nice room, this will allow your recordings to sound unique to your studio.

Pros

• Great build quality

• Great Natural Sound

• Low Signal to Noise Ratio

• Excellent Shock Mount & Pop Filter

• 10 YEAR WARRANTY!!!

Cons

• Delicate

Conclusion

As I said with the Rode NT1 review, I love this microphone. I think it sounds excellent, and I will absolutely add this to the mics I rotate for music recording and podcasting. If you like the tone of this microphone, and are looking for very low line noise, I absolutely recommend this mic! Keep in mind it does have a fairly wide polar pattern, which will pick up a bit of background noise, so if you're concerned with that, you may want to look into some dynamic microphones.

I also don't think that this is the right mic for people who are just starting on youtube or podcasting. I think that when starting out, you can get by with a much cheaper microphone. Then down the line if you want to improve the audio quality and you are well researched on microphones, then you should consider this microphone.

If you have any additional questions about this microphone, leave them on the youtube video, and I will try to reply ASAP. 

Buy the Rode NT1-A
US: http://amzn.to/2iFdsK5
UK: http://amzn.to/2jhStfq

Buy the Focusrite Scarlett Solo
US: http://amzn.to/2jpDz96
UK: http://amzn.to/2iA4ZER

MXL-770 vs MXL-990 Comparison (Versus Series)

MXL-770

• Price: $65
• Frequency Response: 30Hz - 20kHz
• Polar Pattern: Cardioid
• Max SPL: 137dB
• Impedance: 150-Ohms
• S/N Ratio: 74dB

MXL-990

• Price: $78
• Frequency Response: 30Hz - 18kHz
• Polar Pattern: Cardioid
• Max SPL: 137dB
• Impedance: 110-Ohms
• S/N Ratio: 78dB

Today we're comparing two microphones from MXL; the MXL-770 and the MXL-990. They do look similar on paper, but there are some very important differences that I found when listening extremely closely to the microphones.

First off, the build quality of these mics is very similar. They both have a full metal construction, and a metal grill. They do feel a bit on the light side when comparing them to more expensive condenser microphones. The 770 is quite a bit larger than the 990, and also has a -10dB pad switch and a bass rolloff switch to help when recording loud instruments. Due to the 770 providing additional options, I will declare the 770 the winner of the build quality.

The frequency response is where the main difference shows up. The MXL-770 ranges from 30Hz - 20kHz, and the MXL-990 ranges from 30Hz - 18kHz. This would lead you to believe that the former would have a more prominent high end, but that's not what I found. I found that the 990 lacked quite a bit in the low end, and the higher frequencies were a bit harsh/shrill. The 770 had a much fuller low end without sounding overly muddy, the high end was not overbearing, and overall it provided a much smoother sound. Therefore, I am declaring the 770 the winner of the frequency response section as well.

The polar patterns of both mics is very similar, and there's no winner here. The Max SPL is also the same for both microphones, so there is no winner here.

Therefore, the winner of today's Versus Series is the MXL-770. To my ears, this microphone just provided an all around better tone. It had a well rounded low end and a decent amount of high frequencies without becoming unbearable, all while providing a very smooth and natural sound. I do want to note that for these comparisons, I am VERY nitpicky, and either of these microphones will likely perform well for any beginner's home studio. It really just comes down to what your personal preference is. 

Buy the MXL-770
US: http://amzn.to/2jpxjeP
UK: http://amzn.to/2iquk7h

Buy the MXL-990
US: http://amzn.to/2jdsveG
UK: http://amzn.to/2iNrAPg

Buy the Focusrite Scarlett Solo
US: http://amzn.to/2jBSauD
UK: http://amzn.to/2iqltTj

TONOR BM-700 XLR Condenser Microphone Review / Test

Today I'm reviewing a new microphone from Tonor; the BM-700. 

I do need to mention that this microphone was provided to me by Tonor in order for me to conduct this review. 

For the majority of this video, I'm connecting the BM700 to my computer using the SYBA Stereo USB Soundcard with my gain set at approximately 4%. Keep in mind that this is an XLR, electret condenser microphone, which means it does require some voltage in order to work properly. Connecting this microphone directly to your motherboard's microphone input will likely not provide great results, so I suggest the SYBA USB Soundcard, or a full Audio Interface that offers phantom power (Focusrite Scarlett Solo).

If you are interested in this microphone kit, it will set you back $16 on Amazon

What's In the Box

1. Microphone

2. Windscreen

3. Shockmount

4. 5/8" to 3/8" Mic Stand Adapter

5. XLR to 3.5mm Cable

6. Documentation

Specifications

1. Frequency Response: 20Hz - 20kHz

2. Polar Pattern: Unidirectional

3. Sensitivity: -34dB

4. Impedance: 150-Ohms

Performance / Features

This microphone's build quality is exactly like all the other BM-700's and NW-700's on the market. It has an all metal construction, but is on the lighter side of things. However, I do think it will be able to last quite a while when it is taken care of properly. It also offers no additional features; it just has an XLR plug on the bottom of the microphone. 

The frequency response of this mic is listed as 20Hz - 20kHz, which is nice to see. The audio quality is nothing outstanding, but you can't expect flawless audio out of a microphone that costs about $16. The low end is not overly muddy, and the higher frequencies are not harsh. However, it lacks certain frequencies that really capture the energy of a performance.

The polar pattern of the microphone is Cardioid. During the tests, it did seem to pick up audio all the way around the microphone, but as you move away from the front of the mic, the majority of frequencies drop off. There was also a fairly drastic drop off as I moved away from the microphone. Lastly, it did decently at ignoring background noise, but it should be noted that I use an apple magic keyboard, which does not have mechanical switches.

Pros

• It is Cheap!

• Good audio for the price

• Decent at background noise rejection

• Can function on ~4.5v up to +48v

Cons

• Doesn't capture performance's energy

Conclusion

In all honesty, due to the fact that this is a sub-$20 microphone, I struggled to find any real cons. For the price, I think it performed pretty damn well. However, I was expecting this performance since I have tested out this exact microphone under multiple different company names.

I'm definitely not going to recommend this if you're looking for a main microphone to launch a professional studio and charge a high hourly rate. But, if you are just starting on youtube, or want to launch a podcast or voice over career, I think that this is a great starting point. It will allow you to get very usable audio without breaking the bank, and if you enjoy that project, you can upgrade down the line without feeling guilty about this mic going to waste.

If you have any additional questions about this microphone, leave them on the youtube video, and I will try to reply ASAP. 

Buy the BM-700 Kit
US: http://amzn.to/2ihnBdv
UK: http://amzn.to/2iH731s

Buy the SYBA Stereo USB Soundcard
US: http://amzn.to/2jgNIpb
UK: http://amzn.to/2iH91yX

Buy the Focusrite Scarlett Solo
US: http://amzn.to/2iHnGdr
UK: http://amzn.to/2ihqPOj

Rode NT1 KIT Condenser Microphone Review / Test

Today I'm talking about possibly my favorite condenser microphone I have tested to date; the Rode NT1 Kit. 

This is a higher end XLR condenser microphone which means it requires a USB Audio Interface that offers +24v or +48v of phantom power to work.

If you are interested in this microphone kit, it will set you back $270 on Amazon

What's In the Box

1. Microphone
2. Storage Pouch
3. Shockmount
4. Pop Filter
5. Documentation

Specifications

1. Frequency Response: 20Hz - 20kHz
2. Polar Pattern: Cardioid
3. Sensitivity: -29dB
4. Max SPL: 132dB
5. Impedance: 100-Ohms
6. Power Requirements: +24v or +48v Phantom Power

Performance / Features

As you would expect, the build quality of this microphone is top notch. There are no dials or extras on this microphone; just a gold dot to indicate the front of the microphone, and an XLR port on the bottom. It has an all metal construction, and some nice substantial weight to it. However, unlike other microphone's I have tested, it does not feel like a tank, so I would be gentle with it. I should also mention that the carrying pouch offers no padding, so it will only protect the microphone's capsule from dust contamination.

The frequency response on this microphone is excellent, ranging from 20Hz - 20kHz. What really sticks out to me is the nice full bass the microphone provides without sounding boomy or muddy, and the crystal clear highs that do not sound shrill or harsh. It is an all around very smooth sounding microphone, and I think it performed excellently on the Electric Guitar, Acoustic Guitar, and Voice.

When dealing with condenser microphones, I'm always worried about the polar pattern picking up too much background noise. This microphone definitely does pick up more ambient noise than a Shure SM7B, however it is not an exorbitant amount by any stretch of the imagination. I even recorded an entire podcast with this thing and while editing had zero issues with distractions caused by room noise.

Pros

• Outstanding Audio Quality
• Comes with Shock Mount & Pop Filter
• Sturdy & High Quality Construction

Cons

• The price
• The pouch offers no protection except from dust

Conclusion

I love this microphone. It has a high quality build, an excellent sound, and it comes with everything you need (less interface & cables). It is likely even my favorite condenser microphone that I have reviewed to date. That being said, I'm not going to recommend this to everyone. 

If you are just starting out on youtube, or just starting a podcast, or just diving into home recording, I would not recommend this microphone. I think that a beginner can get away with a cheap mass produced condenser mic to begin. Down the road if you are still working on your passion project, then consider upgrading.

On the other hand, if you have been working on your podcast, studio, voice over work, or youtube channel for a while and you are looking to take your audio game to the next level, I absolutely recommend this microphone!

If you have any additional questions about this microphone, leave them on the youtube video, and I will try to reply ASAP. 

Buy the Rode NT1 Kit
US: http://amzn.to/2i1eWfO
UK: http://amzn.to/2i3uFh8

Buy the Focusrite Scarlett Solo
US: http://amzn.to/2haKwpx
UK: http://amzn.to/2hhfgbz

Buy the Neewer Boom Arm
US: http://amzn.to/2i1lzPh
UK: http://amzn.to/2hA1RsP

Blue Nessie Adaptive USB Mic Review / Test

Today I'm reviewing a mic that I've been trying to get my hands on for about a 4 months. The mic being featured is the Blue Nessie Adaptive USB Condenser Microphone. 

This is a USB microphone that is listed as compatible with Windows & Mac OS X. It offers multiple DSP modes which are marketed as a way to make recording easy, and it offers a built in pop filter & shock mount to ensure you do not suffer from any plosives or vibrations.

If you are interested in this microphone, it will set you back $100 on Amazon

What's In the Box

1. Microphone
2. 5-foot USB Cable
3. Documentation

Specifications

1. Frequency Response: 20Hz - 20kHz
2. Polar Pattern: Cardioid
3. Max SPL: 110dB
4. Bit Depth: 16-bit
5. Sampling Rate: 48kHz

Performance / Features

The build quality of this mic seems pretty decent for the price. The base of the microphone is metal and has some substantial weight to it. The entire base acts as a dial to control the headphone volume as well. underneath the dial there is an LED light that glows when the microphone is plugged in and receiving power, and blinks when the microphone is muted.

Speaking of mute, on the front of the microphones neck, you have a single red button to mute/unmute the mic. On the back of the neck you will find a USB plug, a 3-way switch to change between the 3 modes (flat, voice, music), and directly above that you will find a 3.5mm headphone port which provides latency free monitoring.

When we get to the microphone capsule, the grills on both sides of the mic are metal, while the center blue piece is made of plastic. Within the casing there is a pop filter to eliminate plosives as well as a shock mount to ensure you don't suffer from vibrations or table bumps. You are also able to tilt the microphone about 90-degrees to make sure you get the best placement possible.

The frequency response ranges from 20Hz in the low end all the way to 20kHz in the high end. While playing guitar/singing on this mic, I think the performance was only decent on all the settings. When me moved to the acoustic guitar test, I thought that the only usable setting was the flat mode. On the voice mode, the guitar was overly boomy with very little presence, and while set to music mode, the high frequencies seemed overly shrill and piercing.

The cardioid polar pattern was the correct choice for this microphone as it sits directly on the desk. It did pick up a decent amount of keyboard noise, which is to be expected of any desktop microphone, and it picked up my voice fairly well even at 4-feet away. 

Pros

• Built in pop filter
• Decent audio quality
• Latency free monitoring

Cons

• Cannot remove mic from desktop stand
• Picked up vibrations from computer & bumps of desk quite prominently

Conclusion

I was not impressed with this microphone. The audio quality is decent on the flat mode, but I found the two other DSP modes to be subpar. On top of that, you will be stuck using this as a desktop microphone, as you cannot remove the microphone from the stand and put it on a boom arm. This led to some issues during the test. I found the microphone picked up vibrations from my computer as well as bumps of the desk. Moreover, when you're forced to keep the microphone placed directly on your desk, it is difficult to get decent microphone placement to record instruments or your voice.

Although this microphone has plenty of features that are listed as selling points, I feel that it falls short and leaves a lot to be desired. If you are looking for audio quality for anything other than demos, I would suggest looking elsewhere.

If you have any additional questions about this microphone, leave them on the youtube video, and I will try to reply ASAP. 

Buy it on Amazon
US: http://amzn.to/2gQMT3M
UK: http://amzn.to/2hqa59W

Shure MV51 Digital Condenser Mic Review / Test / Explained

It's been a while since I've done a supplemental write up for a review I've done, but I'm back. Today I am talking about a USB/Lightning microphone that is perfect for musicians/podcasters that are constantly on the road; the Shure MV51 Digital Condenser Microphone. 

If you are interested in this microphone, it will set you back $200 on Amazon

What's In the Box

1. Microphone
2. 1m Micro USB to USB Cable
3. 1m Micro USB to Lightning Cable
4. 5/8" to 3/8" Mic Stand Adapter
5. Documentation
6. 2-Year Warranty

Specifications

1. Frequency Response: 20Hz - 20kHz
2. Polar Pattern: Cardioid
3. Max SPL: 130dB
4. Bit Depth: 16/24-Bit
5. Sampling Rate: 44.1/48kHz

Performance / Features

The build quality on this microphone is amazing. It's built like a tank, which is what I've personally come to expect from Shure after using their SM7B and SM48 for years. The construction is all metal, including the kick stand which is firmly attached and does not wiggle around at all. At the end of the kickstand is a rubber foot to keep the mic from sliding around, but if you want to attach the mic to a microphone stand, simply unscrew the rubber foot to reveal a 5/8" thread.

On the front of the microphone, you have a volume control slider, an LED light strip to present mic input volume & headphone output volume, a microphone mute button, a headphone volume selector, and a mode select button to switch between the five different DSP's built into the microphone.

1. Speech - DSP Designed for speech. Great for podcasts/voice overs.
2. Singing - DSP Designed for singing. Perfect if you're recording a vocal track.
3. Quiet & Acoustic Performance - DSP Designed for quiet performances. If you're recording an acoustic cover, this is the mode for you.
4. Loud Music or Band - DSP Designed for Loud Environments. The mode to use if you are recording your bands rehearsal or live performance.
5. Flat - This DSP has no processing done to it. If you are recording something that you want to add your own effects to in a DAW, choose this mode.

On the back of the microphone you have two ports. The first is the connection port that you will use to connect to your iPhone or computer. The second port is a 3.5mm headphone jack which provides latency free monitoring.

Pros

• Amazing Build Quality
• Connects to iOS devices through Lightning Port
• Sounds great on electric/acoustic/voice
• Low noise floor

Cons

• Fairly wide polar pattern for cardioid polar pattern

Conclusion

I love this microphone. I don't necessarily think that this is a microphone that will replace your home studio setup, but I do think that this fulfills a need that desperately needed solving. I think this is an almost perfect microphone for musicians & podcasters who are constantly on the road. Let me explain:

• It's built like a tank so you don't have to worry about it taking a beating when you're on your tour bus, or when your bag is being thrown around by TSA.
• You can connect this thing to your damn iPhone, so you don't have to lug around your laptop in case inspiration strikes you and you need to record an idea.
• It sounds pretty damn good for a microphone that connects to your cell phone, meaning your demo will sound MUCH better and your podcast recorded in that hotel room won't sound like a message you left your mom in 1984.

If you have any additional questions about this microphone, leave them on the youtube video, and I will try to reply ASAP. 

Buy it on Amazon
US: http://amzn.to/2g8PyE4
UK: http://amzn.to/2fsN8iD

Samson G Track

Today I'm covering a unique item from one of my favorite microphone companies; The Samson G Track GMU1 USB Condenser Microphone.

The aspect of this microphone that sets it apart from other usb microphones lies in the fact that it functions as a USB microphone as well as a USB interface for your guitar/bass etc. 

If you are interested in this microphone, it will set you back $85 on Amazon

What's In the Box

1. Microphone
2. Mic Mount
3. 5/8" to 3/8" Mic Stand Adapter
4. USB Cable
5. 3.5mm to RCA Cable
6. (2) RCA to 1/4" Adapters
7. 3.5mm to 1/4" Cable
8. 3.5mm to 1/4" headphone cable
9. Documentation

Specifications

1. Frequency Response: 20Hz - 16kHz
2. Polar Pattern: Super Cardioid
3. Sensitivity: -40dB
4. SPL: 132 dB
5. Recording Quality: 16 bit / 48kHz

Performance / Features

The build quality of this microphone is pretty good. It is an all metal construction and it has some nice weight to it. After removing it from the microphone mount a few times, it does feel like the internals were a little bit loose, so I would be careful with this microphone.

On the bottom of the microphone you have three I/O ports. The first is a 3.5mm input, which is designed for guitar input, or rca input, which is why they provided cables in the box. The second is a 3.5mm headphone output. The last port is the USB port to connect the microphone to your computer.

On the front of the microphone there are two switches. The first switch is the Input selector which allows you to switch between "Mono instrument / mono mic" and "stereo instrument". If you're recording the microphone at all, you will need to utilize the mono instrument/mono mic setting. If you're recording using the stereo RCA cable, you'll need to utilize the "stereo instrument" setting.

Beneath these switches you have three dials. The first dial is the headphone volume control which is self explanatory. The second is the instrument volume, which will increase/decrease the 3.5mm instrument input gain. The last dial is the microphone gain control which will obviously increase/decrease the microphones gain.

As far as the performance of the microphone, it was nothing to write home about. The voice, electric guitar, and acoustic guitar all sounded like they lacked life. They simply sounded boring and flat. I'm sure that this could be partially remedied by some slight EQ & Compression, but it still won't sound amazing. 

Pros

• Sounds decent
• Functions as an interface/microphone
• Relatively cheap for what you're getting

Cons

• Audio sounds flat/dull
• Excessively noisy preamp at 60% gain

Conclusion

This is a pretty cool device, however I don't think it will work for everyone. If you're looking to podcast or do voice overs, I don't think that this mic is designed well for you. There are too many options, it doesn't sound that great, and it picks up a bit of background noise from the keyboard.

If you're looking for studio quality audio, once again I don't recommend this mic. It simply does not provide good enough sound quality. The audio just sounded dull, and like you're not in the room with musician.

If you're looking to demo some music out or do some basic guitar covers/singing covers for youtube, I think that this is a perfect mic to test the waters and see how you like it. It's cheap and provides you all the necessary tools to connect your electric guitar while singing and will allow you the opportunity to see if you like making the videos. If you do, then you can consider upgrading to a higher quality interface and microphone.

If you have any additional questions about this microphone, leave them in the comments on this site or on the youtube channel, and I will try to reply ASAP. 

Buy it Amazon
US: http://amzn.to/2cnGaMt
UK: http://amzn.to/2cWb5C9

MXL-550 XLR Condenser Microphone Review / Test

Today is part 1 of 2 in the MXL 550/551 review series. For this review, we will be focussing on the larger of the two microphones, the MXL550. I do need to let you know that this is an XLR condenser microphone which means you will need a phantom power supply, or an interface with phantom power, in order for this microphone to work properly. For this review video, I connected the microphone to my computer using the Focusrite Scarlett Solo USB Audio Interface with +48v Phantom Power turned on.

If you are interested in this microphone pack, it will set you back $77 on Amazon

What's In the Box

1. Microphone
2. Microphone Mount
3. Carrying Case
4. Micro Fiber Cloth
5. Documentation
6. 1 Year Warranty

Performance / Features

The construction on this mic feels pretty nice for the price. It has an all metal construction and has some decent weight to it. Even though it feels nice, I would be careful with it because these lower price tag mics do tend to utilize cheaper components, and suffer due to lower quality assurance standards. As far as features, there is really nothing to discuss, as it is a simple XLR microphone with a single XLR plug on the bottom.

The frequency response is listed as 30Hz - 20kHz and it sounds pretty decent. On the voice I thought the microphone sounded very crisp while also providing a decent amount of low end. On the acoustic guitar and electric guitar, the mic sounded a little warmer than I typically prefer, but all around, it sounded acceptable. 

There are no surprises when I say, the polar pattern is listed as cardioid. As we move around the side we lose quite a bit of volume, and on the rear we pick up very minimal sound. The microphone also performed only decently when typing behind the mic.

Pros

• Decent construction
• Affordable
• Acceptable performance

Cons

• Not best sound on guitars
• Only decent elimination of background noise

Conclusion

I actually kind of like this microphone. It is not the greatest sounding mic, and it is definitely not the worst sounding mic, but it does perform pretty damn well considering you get two mics for $77. I don't think that this mic would necessarily work well for gamers, but I do think it would be a great mic pack if you are starting a home studio and want to get your feet wet. Other than that, I think you would be better off saving up a few more dollars for some higher quality microphones.

If you have any additional questions about this microphone, leave them in the comments on this site or on the youtube channel, and I will try to reply ASAP. 

Buy the MXL550/551 Pack
US: http://amzn.to/2aUKVwf
UK: http://amzn.to/2aWggxI

Buy the Scarlett Solo
US: http://amzn.to/2bqU7bl
UK: http://amzn.to/2bgovb2

AT-2020 vs. AT-2035 Comparison (Versus Series)

Audio Technica AT-2020

• Price: $100
• Frequency Response: 20Hz - 20kHz
• Polar Pattern: Cardioid
• Sensitivity: -37dB
• Dynamic Range: 124 dB
• Impedance: 100-Ohms
• S/N Ratio: 74 dB

Audio Technica AT-2035

• Price: $150
• Frequency Response: 20Hz - 20kHz
• Polar Pattern: Cardioid
• Sensitivity: -33dB
• Dynamic Range: 136dB
• Impedance: 120-Ohms
• S/N Ratio: 82dB

Today we're looking at two microphones that are very similar. The Audio Technica AT-2020 and the Audio Technica AT-2035. When comparing these microphones on paper, you may think that they are very similar, and they in all honesty, they are very similar. There are some very important differences if you are looking to record professional audio.

The build quality of both mics is excellent. Full metal construction that feels extremely durable. However, the AT-2035 does have the added functionality of a -10dB pad and bass rolloff switch built in.

The frequency response of both microphones is listed as the exact same, but if you look at the visualization of the AT2020 & AT2035 response, you can see that the 2035 has a slightly larger boost between 10-15kHz, which provides it slightly better presence. When you listen carefully to the performance on the instruments, you can hear this slight improvement. 

The polar patterns of both mics is very similar, and there's no winner here.

When looking at the sensitivity, we see that the AT2035 has a slightly higher output. What this means is, if the EXACT same signal is played into both microphones, the AT2035 signal will be ~4dB louder. This can make a huge difference. The AT2035 also has a better dynamic range meaning it can handle audio signals that are 12dB louder before breaking up.

When it comes to the S/N (signal-to-noise) ratio, we once again see that the AT2035 is the winner. This specification basically tells you that the signal (voice or instrument) that you are recording will be louder compared to the line noise.

Therefore, the winner of today's Versus Series is the Audio Technica AT2035. To my ears it has a slightly better tone, it generates a louder and cleaner signal, and is all around a better package, and if I had to choose between the two, I would choose the 2035. However, if you are just recording at home and doing voice overs for youtube, you can probably get away with just purchasing the AT-2020. 

Buy the AT2035
US: http://amzn.to/2b9Fbj9
UK: http://amzn.to/2aFhJew

Buy the AT2020
US: http://amzn.to/2b9EWEZ
UK: http://amzn.to/2bbu5LW

Audio Technica AT2035 XLR Condenser Mic Review/Test

Today I am reviewing the industry standard condenser microphone, the Audio Technica AT2035. I need to note that this an XLR condenser microphone which means it requires phantom power to work properly. Therefore, if you are looking at this microphone, make sure that your audio interface / mixer provides phantom power.

If you are interested in this microphone, it will set you back $150 on Amazon

What's In the Box

1. Microphone
2. Shock Mount
3. 5/8" to 3/8" Mic Stand Adapter
4. Carrying Pouch
5. Documentation
6. 1-Year Warranty

Performance / Features

The construction on the microphone, just like the other AT20 series mics, is excellent. It has an all metal construction; a metal body, a metal windscreen, and some substantial weight to it. On the back of the microphone there are two switches to help get the best sound out of this microphone. The first switch is a -10db which will make your signal quieter in case you are micing any loud sound sources (guitar amp, drums, etc.) There is also a switch with a bass roll off around 80Hz to help with overly boomy sounds or other pesky low frequency noises.

The frequency response on this microphone is 20Hz - 20kHz. When testing it on the voice I thought it provided a very full and clear tone. The acoustic guitar also sounded full with a nice amount of high end to help liven up the sound. Lastly, the electric guitar was excellent and provided a very accurate representation of the guitar amps sound.

We also see a cardioid polar pattern when we look at the specs sheet. When we tested it out by spinning the microphone around, we picked up the majority of sound directly in front of the mic. When we got around to the back of the microphone we lose the majority of the sound. When I was typing on a keyboard behind the microphone you could still hear the keyboard but it was very quiet.

Pros

• Great construction
• Very nice frequency response
• Excellent tone on all tests
• Good at eliminating background noise
• Comes with shock mount
• Offers -10db Pad
• Has bass roll off switch

Cons

• Couldn't think of any

Conclusion

Honestly, this is just a great mic! If you get this, I am almost certain that it will be a workhorse in your studio. It has an excellent build quality, excellent sound, and it seems to perform well in every situation I put it in. If you're a podcaster, this is a great mic because it is directional and provides great tone on your voice. If you're a gamer, the polar pattern seems narrow enough to eliminate the majority of background noise while focusing on your voice. If you're an audio engineer; it just sounds good.

If you have any additional questions about this microphone, leave them in the comments on this site or on the youtube channel, and I will try to reply ASAP. 

Buy the AT2035
US: http://amzn.to/2ajiVAy
UK: http://amzn.to/29LpFM1