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Electro Voice RE320 vs RE20 vs RE27 N/D Comparison (Versus Series)

RE320

Price: $300
Freq Resp: 45Hz - 18kHz
Polar Ptrn: Cardioid
Sensitivity: ~ -52dB
Impedance: 150-Ohms

RE20

Price: $450
Freq Resp: 45Hz - 18kHz
Polar Ptrn: Cardioid
Sensitivity: ~ -56.5dB
Impedance: 150-Ohms

RE27 N/D

Price: $500
Freq Resp: 45Hz - 20kHz
Polar Ptrn: Cardioid
Sensitivity: ~ -52dB
Impedance: 150-Ohms

Today we're comparing three of the most popular microphones for podcasting, radio broadcasting, and let's play gamers; the Electro Voice RE320, RE20, and RE27 N/D.

The build quality of all of these microphones is nearly identical. They have the same chassis for the most part, with minor cosmetic differences. There are vents that run the length of the body that allow for the variable D technology to decrease the proximity effect. They all have a steel body and a good amount of weight to them. The RE320 & RE20 have a single high pass (low cut) switch, while the RE27 N/D has 3 switches, (2) high pass switches, and (1) high cut switch.

The frequency response of these mics vary pretty significantly. The RE320 has a minor bass boost of 1dB between 150 & 250 Hz, and then has a relatively flat mids section. There is a significant 5dB presence and treble boost from 3.5kHz to 10kHz. It flattens between 13-15kHz and then cuts the remainder of the air. The RE20 has the flattest response, remaining consistant between 70Hz and 400Hz with multiple 1-2dB cuts between 400Hz and 5kHz which is followed by a 1-2dB boost from 5kHz - 12kHz at which point it gradually rolls off the air frequencies. The RE27 N/D has a flat bass and mid section with a significant boost beginning at 1kHz peaking at 5dB around 4kHz. And then begins to roll off at 8kHz gradually all the way up to 20kHz.   

When it comes to the overall performance of these microphones, they are very different. The RE320 is a very bright microphone with a significant presence and treble boost. This allows your voice to really stick out and pop, but to me it sounds top heavy. It did sound the best on the electric guitar and acoustic guitar out of all three mics.

The RE20 had the most neutral sound with minor cuts and boosts throughout the frequency response. The minor cuts to the mids does make it sound on the verge of being scooped, but it's not terrible. Out of all of the mics in this comparison, it sounded the best for singing and spoken word.

The RE27 N/D was the most jarring of the 3 microphones. It's natural boost was very unflattering on voice, so much so that I had to run it with the high cut enabled. Due to the boost starting at 1kHz, it tended to have a honkier tone. Additionally, the off axis coloration was the least flattering on this microphone.

RE320 Freq Resp

RE320 Freq Resp

RE20 Freq Resp

RE20 Freq Resp

RE28 Freq Resp

RE28 Freq Resp

With all that analysis, the WINNER of this versus series is the Electro Voice RE20. I chose this microphone in lieu of it's flaws. Those being it has the quietest output of all the microphones in this comparison, and the minor cuts in the mids make it sound on the verge of sounding scooped. The main reason I did pick it though is due to the it having the flattest and most neutral tone. However, this is a tone that I personally prefer for spoken word and singing, so this may not be for everyone.

If you have any questions, or want to provide your input, please leave a comment on the youtube video.

Buy the Electro Voice RE-320
US: http://amzn.to/2hmCSup 
UK: N/A
CA: N/A
DE: http://amzn.to/2fEkFbE

Buy the Electro Voice RE-20
US: http://amzn.to/2AIXoC2 
UK: http://amzn.to/2yv4KTC 
CA: http://amzn.to/2AI2XR3 
DE: http://amzn.to/2jW1xb7

Buy the Electro Voice RE27 ND
US: https://amzn.to/2lQoZaz 
UK: N/A
CA: N/A
DE: https://amzn.to/2MHkqdN

Buy the Focusrite Scarlett 2i2 (2nd Gen) 
US: http://amzn.to/2vDFbzK 
UK: http://amzn.to/2w8O2f6 
CA: http://amzn.to/2wKGKfG 
DE: http://amzn.to/2wVYnfL

 

Marantz Professional Pod Pack 1 Review / Test

Today we are testing out a microphone pack that I picked up for $17; the Marantz Professional Pod Pack 1 Kit.

If you are interested in this microphone kit, it will set you back $17 on Amazon

What's In the Box

  1. Microphone

  2. USB Cable

  3. Microphone Mount

  4. Boom Arm Mic Stand

  5. Documentation

Specifications

  1. Frequency Response: 20Hz - 17kHz

  2. Polar Pattern: Cardioid

  3. Sensitivity: -34dB

  4. Max SPL: 132dB

  5. Impedance: 100-Ohms

  6. Power Requirement: 5v Provided Through USB Plug

Performance / Features

The build quality of this mic is nothing special. It has an all plastic construction and it does not feel like it can handle a beating. There are no features on the microphone; no headphone port, no light, nothing. The boom arm has an all metal construction, and feels very reminiscent of a Neewer Boom Arm, and I was not able to tighten the head to ensure the microphone would not swivel. 

The frequency response of this mic is 20Hz - 17kHz, and in all honesty, the mic sounds decent. It doesn't have the greatest low end performance, but it has a decent amount high frequencies without sounding harsh. 

The cardioid polar pattern, also did an admirable job. It did a good job at rejection on the sides of the mic, but as you move around the back, it starts to pick up low frequencies again. It also did pick up a bit of keyboard noise as well, but it wasn't unbearable. 

I was absolutely blown away by this microphones noise floor. This is typically the place where you can tell that you're using a budget usb microphone, but the preamps in this thing were extremely clean all the way up to 75%, at which point you start to get a slight bit of digital noise. But all around, the audio was still usable; all you would have to do is pass the audio through a noise gate.

Pros

  • Super cheap

  • Low noise floor

  • Decent audio performance

  • Comes with everything you need to start recording

Cons

  • Build quality feels subpar

Conclusion

When reviewing this mic, it was important to remember that I picked this up for under $20. For that price, I think that this microphone pack is an absolute steal. Out of all the budget USB microphones I have tested to date, this one has the best sound quality on instruments, on voice, and ESPECIALLY on the noise floor (apparent during the gain test). If you are looking for a budget USB microphone, then buy this pack and a pop filter and you should be set, and ready to start recording!

If you have any additional questions about this microphone, leave them on the youtube video, and I will try to reply ASAP. 

Buy it on Amazon
US: http://amzn.to/2lumDvv
UK: http://amzn.to/2ksfGv2

Rode Procaster Broadcast Dynamic Mic Review / Test

I've been waiting months to do this review, and I can't wait to put it up against it's USB counterpart in a future Versus Series. But for today, we're talking about the Rode Procaster. This is a Dynamic Broadcast XLR microphone, not to be confused with the Rode Podcaster, which is the USB version of this microphone.

This is a dynamic microphone, so it does not require phantom power. However, it does have a somewhat low output level, so you will end up turning your gain up relatively high. Therefore, I recommend picking up a Cloudlifter, if you plan on getting this mic.

If you are interested in this microphone, it will set you back $230 on Amazon

What's In the Box

  1. Microphone
  2. Mic Mount
  3. 5/8" to 3/8" Mic Stand Adapter
  4. Carrying Case
  5. Documentation
  6. 10-Year Warranty
  7. A Damn Sticker!!!

Specifications

  1. Frequency Response: 75Hz - 18kHz
  2. Polar Pattern: Cardioid
  3. Sensitivity: -56dB
  4. Impedance: 320-Ohms

Performance / Features

This is how microphones should be built. This thing has an all metal construction, and has some REALLY nice weight to it. You can feel how substantial it is, and in all honesty, you could probably fight off an intruder and it would still work. The 10-year warranty, tells me how much faith Rode has in the quality of their mic. Even though the shockmount offers no shock absorption, the documentation does state that the capsule is protected by an internal shock mount as well as an internal pop filter. I did still run into some issues with plosives though, so i would still recommend an additional pop filter.

The frequency response of this mic is listed as 75Hz - 18kHz, which on paper, I was somewhat let down by, but once I heard it on my voice, I was back on board. The response is more than sufficient for voice overs / podcasts. The low end is full and tight, without being muddy, and the high end has nice presence and adds a great shimmer to your voice.

They list the polar pattern as Cardioid, and damn it, this thing is directional. As soon as I got slightly off axis, my voice dropped off a LOT. Also, when I smashed a keyboard behind the mic while speaking, you could hardly hear the keyboard. Some people might not like how narrow the polar pattern is, but for me, I love it. It will allow you to be in a room with multiple podcasters, and limit the amount of bleed between the microphones.

As far as other specs, they list a sensitivity of -56dB, and an impedance of 320-Ohms. Honestly, the sensitivity left a little bit to be desired. It is is a lot louder than the SM7b, but not quite as loud as the SM58. For the price, I would have liked to see slightly better output, but this is just me being overly critical.

Pros

  • Sounds Awesome on Voice
  • Amazing Build Quality
  • Excellent Noise Rejection
  • 10-Year Warranty

Cons

  • A little on the quiet side
  • Even with internal pop filter, still experience some issues with plosives
  • Does not sound good on guitar

Conclusion

I absolutely love this microphone, but keep in mind that the majority of what I do is vocal based. They tuned this thing specifically for vocals, and it produces superb vocal reproduction. On the other hand, if you're planning to record instruments with this microphone, I don't think that this microphone is going to cut it for you.

It is important to remember that this is a Broadcast Dynamic microphone, meaning it was designed to be used in a broadcast setting with multiple people talking in the same room and limiting the amount of bleed between microphones. That's the type of situation that this microphone will truly shine in.

If you have any additional questions about this microphone, leave them in the comments on this site or on the youtube channel, and I will try to reply ASAP. 

Buy the Procaster:
US: http://amzn.to/2bPi8fR
UK: http://amzn.to/2c6RHSx

Buy the Cloudlifter:
US: http://amzn.to/2cA8Y6X
UK: NA