Mic

Behringer B-2 Pro Review / Test

Today we're looking at a "higher end" microphone from the budget company Behringer; the Behringer B-2 Pro. 

For this review, I have the mic connected directly to the Focusrite Scarlett 2i2 2nd gen, with the gain set at 10:30. I have done no post processing on the audio, it is all raw, but the audio was slightly boosted in final cut pro X to simply make the audio easier to listen to.

If you are interested in this microphone, it will set you back $150.00 on Amazon

What's In the Box

  1. Hardshell Storage Box

  2. Microphone

  3. Shockmount (Includes: 5/8" & 3/8" adapter)

  4. Foam Windscreen

  5. Documentation

Specifications

  1. Frequency Response: 20Hz - 20kHz

  2. Polar Pattern: Cardioid, Omnidirectional, Bidirectional

  3. Sensitivity: -37dB to -34dB

  4. Max SPL: 137 / 149dB

  5. Equivalent Noise: 16-18dBA

  6. Impedance: <100-ohms

  7. Power Requirement: +48v

Performance / Features

The build quality of this mic feels fairly average for mics in the $100 price range. It has an all metal body as well as a somewhat flimsy feeling metal mesh grill. On the front you will find a 3-way polar pattern selection switch to move between the cardioid, omnidirectional, and bi-directional polar patterns. On the rear you'll find the high-pass switch that rolls off at 6dB/octave at 150Hz, as well as a -10dB pad if you're recording loud sound sources. 

The frequency response is listed as 20Hz - 20kHz. We're only going to focus on the cardioid polar pattern response here as it's the most used pattern. It has a surprisingly flat response from 1kHz and below with a slight roll off beginning at 150Hz, which reaches -2dB by 50Hz. From 1kHz and up there's a gradual boost that hits +2dB at 7kHz, and then there's a large boost which reaches +5dB at 10kHz and gradually rolls off until it hits 0dB at 20kHz.

The overall performance here was decent. On the electric guitar, the low end felt a little loose, but did not get muddy, and then the treble air boost provided a nice amount of liveliness to the recording. The acoustic guitar sounded too focused in the high end, and left the strings resonance sounding dominating and a bit of a grating tone all around. For singing, the mic added a breathy quality to the voice as well as a bit of extra grit. For spoken word, I think the high end is a detriment to the microphone as it accentuates mouth noises, breathe, and sibilance a bit too much.

Pros

  • Relatively flat low mids and lows

  • All polar patterns are pretty usable (Rare in this price range)

  • Nice build quality

  • Plenty of nice accessories

Cons

  • Shrill in the higher end

  • Susceptible to plosives

  • Relatively high noise floor at 16-18dBA

cardioid
Omni.png
Bi.png

Conclusion

Although this microphone would not be my first choice in any use case, for the price I think it's a pretty good deal. Therefore, if you're looking for your first mic to record music in your home studio, I think this would be a fine option given the plethora of accessories that are provided with the microphone, and the clean and clear tone you can get out of the microphone. Just make sure to pick up a pop filter along with the microphone.  

If you have any additional questions about this microphone, leave them on the youtube video, and I will try to reply ASAP. 

Buy the Behringer B-2 Pro
US: https://amzn.to/2L3nqAU
UK: https://amzn.to/2zvQRui
CA: https://amzn.to/2N4g29d
DE: https://amzn.to/2uarcC0

 

Buy the Focusrite Scarlett 2i2 (2nd Gen)
US: http://amzn.to/2vDFbzK 
UK: http://amzn.to/2w8O2f6 
CA: http://amzn.to/2wKGKfG 
DE: http://amzn.to/2hbtxsV

Electro Voice RE320 vs RE20 vs RE27 N/D Comparison (Versus Series)

RE320

Price: $300
Freq Resp: 45Hz - 18kHz
Polar Ptrn: Cardioid
Sensitivity: ~ -52dB
Impedance: 150-Ohms

RE20

Price: $450
Freq Resp: 45Hz - 18kHz
Polar Ptrn: Cardioid
Sensitivity: ~ -56.5dB
Impedance: 150-Ohms

RE27 N/D

Price: $500
Freq Resp: 45Hz - 20kHz
Polar Ptrn: Cardioid
Sensitivity: ~ -52dB
Impedance: 150-Ohms

Today we're comparing three of the most popular microphones for podcasting, radio broadcasting, and let's play gamers; the Electro Voice RE320, RE20, and RE27 N/D.

The build quality of all of these microphones is nearly identical. They have the same chassis for the most part, with minor cosmetic differences. There are vents that run the length of the body that allow for the variable D technology to decrease the proximity effect. They all have a steel body and a good amount of weight to them. The RE320 & RE20 have a single high pass (low cut) switch, while the RE27 N/D has 3 switches, (2) high pass switches, and (1) high cut switch.

The frequency response of these mics vary pretty significantly. The RE320 has a minor bass boost of 1dB between 150 & 250 Hz, and then has a relatively flat mids section. There is a significant 5dB presence and treble boost from 3.5kHz to 10kHz. It flattens between 13-15kHz and then cuts the remainder of the air. The RE20 has the flattest response, remaining consistant between 70Hz and 400Hz with multiple 1-2dB cuts between 400Hz and 5kHz which is followed by a 1-2dB boost from 5kHz - 12kHz at which point it gradually rolls off the air frequencies. The RE27 N/D has a flat bass and mid section with a significant boost beginning at 1kHz peaking at 5dB around 4kHz. And then begins to roll off at 8kHz gradually all the way up to 20kHz.   

When it comes to the overall performance of these microphones, they are very different. The RE320 is a very bright microphone with a significant presence and treble boost. This allows your voice to really stick out and pop, but to me it sounds top heavy. It did sound the best on the electric guitar and acoustic guitar out of all three mics.

The RE20 had the most neutral sound with minor cuts and boosts throughout the frequency response. The minor cuts to the mids does make it sound on the verge of being scooped, but it's not terrible. Out of all of the mics in this comparison, it sounded the best for singing and spoken word.

The RE27 N/D was the most jarring of the 3 microphones. It's natural boost was very unflattering on voice, so much so that I had to run it with the high cut enabled. Due to the boost starting at 1kHz, it tended to have a honkier tone. Additionally, the off axis coloration was the least flattering on this microphone.

RE320 Freq Resp

RE320 Freq Resp

RE20 Freq Resp

RE20 Freq Resp

RE28 Freq Resp

RE28 Freq Resp

With all that analysis, the WINNER of this versus series is the Electro Voice RE20. I chose this microphone in lieu of it's flaws. Those being it has the quietest output of all the microphones in this comparison, and the minor cuts in the mids make it sound on the verge of sounding scooped. The main reason I did pick it though is due to the it having the flattest and most neutral tone. However, this is a tone that I personally prefer for spoken word and singing, so this may not be for everyone.

If you have any questions, or want to provide your input, please leave a comment on the youtube video.

Buy the Electro Voice RE-320
US: http://amzn.to/2hmCSup 
UK: N/A
CA: N/A
DE: http://amzn.to/2fEkFbE

Buy the Electro Voice RE-20
US: http://amzn.to/2AIXoC2 
UK: http://amzn.to/2yv4KTC 
CA: http://amzn.to/2AI2XR3 
DE: http://amzn.to/2jW1xb7

Buy the Electro Voice RE27 ND
US: https://amzn.to/2lQoZaz 
UK: N/A
CA: N/A
DE: https://amzn.to/2MHkqdN

Buy the Focusrite Scarlett 2i2 (2nd Gen) 
US: http://amzn.to/2vDFbzK 
UK: http://amzn.to/2w8O2f6 
CA: http://amzn.to/2wKGKfG 
DE: http://amzn.to/2wVYnfL

 

Electro Voice RE27 N/D Broadcast Dynamic Mic Review

Today I have finally completed the Electro Voice expansion of Pokemon: Mic Edition. We're looking at the last mic in their RE-series of mics, which just so happens to be the most expensive of the three; the RE27 N/D.

For this review, I have the mic connected directly to the Focusrite Scarlett 2i2 2nd gen, with the gain set at 12:30. I have done no post processing on the audio, it is all raw, but the audio was slightly boosted in final cut pro X to simply make the audio easier to listen to.

If you are interested in this microphone, it will set you back $150.00 on Amazon

What's In the Box

  1. Hardshell Storage Box

  2. Microphone

  3. Microphone Mount (Includes: 5/8" & 3/8" adapter)

  4. Documentation

Specifications

  1. Frequency Response: 45Hz - 20kHz

  2. Polar Pattern: Cardioid

  3. Sensitivity: ~-52dB

  4. Impedance: 150-ohms

Performance / Features

The build quality of this mic is on par with all of EV's other mics that I've tested; excellent. It has a steel body and a nice metal mesh grill. Along the side there are vents that allow for the Variable D technology that helps keep the proximity effect in check. It weighs in at 1 pound 9 oz, so it is a pretty heavy microphone as well. Near the bottom of the mic it has 3 switches that cut portions of the frequency response. 1st is a 6dB cut at 250Hz, 2nd is a 12dB cut at 1000Hz, and 3rd is a 3dB cut of the presence and treble boost. Lastly there is an XLR port on the back of the microphone.

The frequency response is listed as 45Hz - 20kHz. In the neutral mode this microphone has a relatively flat frequency response from 1khz and below, but above that there is a drastic boost that peaks at +7dB above the mids. There are two peaks at 4kHz and 6kHz and then it rolls off the remainder of the treble and air after that. I found the only really usable setting for spoken word was to enable the high cut, and leave the other switches alone. 

The overall performance of this mic was a bit of a shock initially. When I pulled it out of the box a month ago and plugged it in, I almost sent it right back. With the neutral settings it is very harsh, shrill, and forward in the higher frequency range. Once I enabled the high cut though the tone become MUCH better and actually enjoyable to listen to. It also does a great job at off axis rejection and rear rejection, but it should be noted that the off axis coloration is very honky, and terrible sounding.

Pros

  • Slightly higher output than other dynamics due to Neodymium magnet

  • Handles processing well

  • Great job at off axis and rear rejection

  • Great build quality

Cons

  • In neutral mode, the mic sounds bad

  • The low cuts are a bit too drastic

  • Off axis coloration is bad

freq.png
polar.png

Conclusion

For electric guitar, acoustic guitar, and singing I did not enjoy this microphone much at all. It simply is not a tone that I would look to use in those applications. For spoke word however, I found it rather enjoyable when you have the high cut enabled and get relatively close to the microphone. If you're looking for a bright & smooth microphone for podcasting and radio broadcasting, I think this will be a great option, but just make sure to cut those highs and use proper microphone technique.

If you have any additional questions about this microphone, leave them on the youtube video, and I will try to reply ASAP. 

Buy the Electro Voice RE27 ND
US: https://amzn.to/2lQoZaz
UK: N/A
CA: N/A
DE: https://amzn.to/2MHkqdN

Buy the Focusrite Scarlett 2i2 (2nd Gen)
US: http://amzn.to/2vDFbzK 
UK: http://amzn.to/2w8O2f6 
CA: http://amzn.to/2wKGKfG 
DE: http://amzn.to/2hbtxsV

Beyerdynamic M88TG Dynamic Mic Review

Today we're looking at another handheld dynamic microphone from Beyerdynamic, but this time it's a hypercardioid mic, and it is the M88TG.

For this review, I have the mic connected directly to the Focusrite Scarlett 2i2 2nd gen, with the gain set at 2:30. I have done no post processing on the audio, it is all raw, but the audio was slightly boosted in final cut pro X to simply make the audio easier to listen to.

If you are interested in this microphone, it will set you back $350.00 - $400.00 on Amazon

What's In the Box

  1. Carrying/Storage Pouch

  2. Microphone

  3. Microphone Mount (5/8" & 3/8" threading)

  4. Documentation

Specifications

  1. Frequency Response: 30Hz - 20kHz

  2. Polar Pattern: Hyper-Cardioid

  3. Sensitivity: ~-51dB

  4. Impedance: 200-ohms

Performance / Features

The build quality of this mic feels very beefy. It has an all metal body which has some substantial weight to it. Additionally, the metal grill is a tank. Most of the time when I squeeze the grill, there's some give to it, but this held firm. There are no features on this mic, but on the bottom you will find the XLR port. 

The frequency response is listed as 30Hz - 20kHz. This has a minor roll off beginning at 150Hz. The low-mids are flat until you hit 1kHz where it begins to boost, reaching a max of 4dB at 2.5kHz. There is a .5dB cut at 5kHz (+3.5dB) and a 1dB boost at 6.5kHz (+6dB) And then there is a gradual roll off until 20khz.

The overall performance of this mic is great for voice. Being that this has a broader and less dramatic boost in the top end, it yields a much smoother and even sound than many other handheld dynamic microphones. On electric and acoustic, I found the microphone underwhelming with a bit of a honky sound to it, and a little bit of mud in the low end. Additionally, the microphone did excellent at background noise rejection, but it was subpar at handling noise and plosive rejection.

Pros

  • Hyper-cardioid great for bg noise rejection, feedback rejection, or bleed.

  • Very smooth sound

  • Pretty healthy output for a dynamic

  • Hefty build quality

Cons

  • Not good at rejection plosives

  • Did a bad job at handling noise rejection

freq.png
polar.png

Conclusion

It's not very surprising this mic was lackluster on guitars, as it is not marketed as a guitar microphone. Beyerdynamic markets this as a Kick Drum, Bass Drum, Vocal, and Woodwind microphone. Speaking of that, on vocals I think that tonally this microphone sounded excellent. The broader boost gave it a smoother sound which made it more pleasant to listen to than most handheld dynamics, and that's why I recommend it for that. If you do plan to pick this microphone up, I believe it is essential to pick up a pop filter, and leave it in a stand or have a very soft touch.

If you have any additional questions about this microphone, leave them on the youtube video, and I will try to reply ASAP. 

Buy the Beyerdynamic M88 TG
US: https://amzn.to/2M0Oykg
UK: https://amzn.to/2tfukv2
CA: https://amzn.to/2t8U6ls
DE: https://amzn.to/2yn94cD

Buy the Focusrite Scarlett 2i2 (2nd Gen)
US: http://amzn.to/2vDFbzK 
UK: http://amzn.to/2w8O2f6 
CA: http://amzn.to/2wKGKfG 
DE: http://amzn.to/2hbtxsV

Sennheiser MK4 Mic Review

Today we're looking at the Sennheiser MK4 XLR Condenser Microphone, which is a great way to get into the Sennheiser / Neumann condenser mic ecosystem. 

For this review, I have the mic connected directly to the Focusrite Scarlett 2i2 2nd gen, with the gain set at 11:00. I have done no post processing on the audio, it is all raw, but the audio was slightly boosted in final cut pro X to simply make the audio easier to listen to.

If you are interested in this microphone, it will set you back $300.00 on Amazon

What's In the Box

  1. Carrying/Storage Pouch

  2. Microphone

  3. Microphone Mount (5/8" & 3/8" threading)

  4. Documentation

Specifications

  1. Frequency Response: 20Hz - 20kHz

  2. Polar Pattern: Cardioid

  3. Sensitivity: ~-32dB

  4. Self Noise: 10dBA

  5. Impedance: 50-ohms

Performance / Features

The build quality of this mic is good. I'm legitimately running out of things to say about all these mics. Most of them have an all metal body and a metal grill. This mic is no different. It has no switches for a padding or high pass / low pass, but on the bottom you'll find an XLR port. 

The frequency response is listed as 20Hz - 20kHz. This has a minor roll off beginning at 150Hz, and a much more drastic roll off beginning at 50Hz. The low-mids are flat until you hit 1kHz and it boosts 1dB with the peak at 1.5kHz which then returns to flat at 2.5kHz where it begins it's presence/treble/air boost beginning at 2.75kHz and ranging all the way up to 10kHz, where it gradually rolls off the air, where it is neutral at ~14kHz.

The overall performance of this mic is great for the price. On electric guitar, this mic sounds a bit dull because it's not over boosted anywhere, but I think fo that as a good thing when recording. On acoustic it sounded stellar with a good body and plenty of shimmer on the top. For singing it had a nice and airy tone, and on spoken word it had plenty of clarity that could be offset beautifully while utilizing the proximity effect. Additionally the off axis coloration around 90-degrees is not unpleasant like many cheaper condensers, which will yield a much better sounding recording if you're in a reverberant room. 

Pros

  • Nice, fairly subtle coloration

  • Good off axis coloration

  • Pretty hot output signal

  • Decent job at background noise rejection

  • Respectable 10dBA self noise

  • Good built quality

Cons

  • I personally don't like the look of it.

freq.png
polar.png

Conclusion

This seems to be a great all purpose microphone as it worked well on everything I tested it on. I think where it really shines is on voice over. The thing I have loved about the Neumann condensers I have tested is the proximity effect. This microphone offers that buttery smooth low end that helps off set the boosts to the presence/treble/air, and it sounds stellar for that considering the price. 

If you have any additional questions about this microphone, leave them on the youtube video, and I will try to reply ASAP. 

Buy the Sennheiser MK4
US: https://amzn.to/2Jz9ims
UK: https://amzn.to/2t0Iv7k
CA: https://amzn.to/2HGDuWL
DE: https://amzn.to/2HFmBMh

Buy the Focusrite Scarlett 2i2 (2nd Gen)
US: http://amzn.to/2vDFbzK 
UK: http://amzn.to/2w8O2f6 
CA: http://amzn.to/2wKGKfG 
DE: http://amzn.to/2hbtxsV

Heil PR-781 Dynamic Mic Review / Test

Today we look at an Amateur Radio microphone and see if it will work for any other applications. The microphone, is the Heil PR-781.

For this review, I have the mic connected directly to the Focusrite Scarlett 2i2 2nd gen, with the gain set at ~1:30 - 2:00. I have done no post processing on the audio, it is all raw, but the audio was slightly boosted in final cut pro X to simply make the audio easier to listen to.

If you are interested in this microphone, it will set you back $185.00 on Amazon

What's In the Box

  1. Microphone

  2. Microphone Mount

  3. 5/8 to 3/8" stand adapter

  4. Documentation

Specifications

  1. Frequency Response: 50Hz - 16kHz

  2. Polar Pattern: Cardioid

  3. Sensitivity: ~-55dB

  4. Impedance: 600-ohms

Performance / Features

The build quality of this mic is excellent. It is an all metal construction with a metal grill. It feels like it can take a beating or two, so I'd venture to say that this will last years in your Ham Shack.

The frequency response is listed as 50Hz - 16kHz, but no frequency response graph was provided. From listening to the mic it's abundantly clear that there is a drastic treble boost which gives this thing a large amount of clarity. It also over powers any low end of this microphone making it sounds harsh at times.

The overall performance of this mic is hard to judge. On everything I threw at this mic, I just kept thinking  "there's too much clarity". It was so bright and clear that it began to sound unnatural to my ears at times, and it also became shrill at other times. Being that I am not a Ham Radio operator, and know little of the topic, I cannot speak to the microphone requirements, but I believe that's what this microphone was actually designed for. 

Pros

  • Great build quality

  • Very very very very clear

Cons

  • The treble boost on this thing leads to shrill tone

Conclusion

I cannot recommend this microphone for the majority of applications due to the hyper-bright tone of it. I don't think it accomplished anything well on the electric guitar, acoustic guitar, singing vocals, or on HD vocals. I imagine the over bright tone is meant to assist in transmitting higher frequencies over Ham Radios. Being that digital audio captures all that sound without having to overcome the inherent shorter travel of higher frequencies, it just does not seem to translate well. 

If you have any additional questions about this microphone, leave them on the youtube video, and I will try to reply ASAP. 

Buy the Heil PR781G
US: https://amzn.to/2slq2CS
UK: https://amzn.to/2J3THGR
CA: https://amzn.to/2kIwP5z
DE: https://amzn.to/2LKtAXj

Buy the Focusrite Scarlett 2i2 (2nd Gen)
US: http://amzn.to/2vDFbzK 
UK: http://amzn.to/2w8O2f6 
CA: http://amzn.to/2wKGKfG 
DE: http://amzn.to/2hbtxsV

Neewer NW-8 XLR Condenser Mic Review

Today I review another super cheap OEM microphone from China from Neewer, the Neewer NW-8.

For this review, I have the mic connected directly to the Focusrite Scarlett 2i2 2nd gen, with the gain set at 10:00. I have done no post processing on the audio, it is all raw, but the audio was slightly boosted in final cut pro X to simply make the audio easier to listen to.

If you are interested in this microphone, it will set you back $30.00 on Amazon

What's In the Box

  1. Microphone

  2. Windscreen

  3. Shockmount

  4. 5/8" to 3/8" Adapter

  5. XLR to 3.5mm Cable

  6. 3.5mm TRRS Splitter

  7. Documentation

Specifications

  1. Frequency Response: 20Hz - 20kHz

  2. Polar Pattern: Cardioid

  3. Sensitivity: ~-37dB

  4. Impedance: 150-ohms

Performance / Features

The build quality of this mic feels sub par. The body is all plastic with a metal grill. It does have a little bit of weight to it which adds a decent feel to it, but all around it feels like an unreliable, poorly built microphone. 

The frequency response is listed as 20Hz - 20kHz. They did not provide a frequency response graph of this microphone, which is not surprising given the price. Listening to it though, it sounds as though it lacks in the low end as well as the high end, making for a somewhat mid forward microphone.

The polar pattern of this mic is standard cardioid. It does not do a great job at off axis or background noise rejection, and the coloring as you move around the mic changes pretty drastically. 

The overall performance of this mic is about as good as you would expect out of a $30 microphone. If you connect it direct to your computer with the provided 3.5mm cables, it does not sound good at all as there is lots of noise. If you connect it to an USB Audio Interface with phantom power and an XLR cable, it sounds decent. As previously mentioned it does seem very mid forward, but I did not hate it for electric, acoustic, or for singing. For spoken word, the lack in the low end, and the lack in clarity makes this sound like exactly what it is, a $30 microphone. 

Pros

  • Dirt cheap

  • Lots of accessories

  • When connected to USB Audio Interface, it's usable

Cons

  • Not a good build quality

  • When connected as 3.5mm mic, it sounds bad

  • Lacks in low end & high end.

Conclusion

If you are just recording demos so you can hear your song ideas, I think this microphone would be fine. But if you're planning on using this microphone for any form of professional application I believe you should move on to another microphone. 

If you have any additional questions about this microphone, leave them on the youtube video, and I will try to reply ASAP. 

Buy the Neewer NW-8
US: https://amzn.to/2Khy7jl
UK: https://amzn.to/2HsUMLD
CA: https://amzn.to/2r0CAz4
DE: https://amzn.to/2r5j03w

Buy the Focusrite Scarlett 2i2 (2nd Gen)
US: http://amzn.to/2vDFbzK 
UK: http://amzn.to/2w8O2f6 
CA: http://amzn.to/2wKGKfG 
DE: http://amzn.to/2hbtxsV

Sennheiser E935 Handheld Dynamic Mic Review

Today we're looking at a handheld dynamic microphone from Sennheiser, the E935.

For this review, I have the mic connected directly to the Focusrite Scarlett 2i2 2nd gen, with the gain set at 3:00. I have done no post processing on the audio, it is all raw, but the audio was slightly boosted in final cut pro X to simply make the audio easier to listen to.

If you are interested in this microphone, it will set you back $180.00 on Amazon

What's In the Box

  1. Microphone

  2. Microphone Mount

  3. 5/8" to 3/8" Adapter

  4. Carrying Pouch

  5. Documentation

Specifications

  1. Frequency Response: 40Hz - 18kHz

  2. Polar Pattern: Cardioid

  3. Sensitivity: ~-51dB

  4. Impedance: 350-ohms

Performance / Features

The build quality of this mic feels like it was made for the stage. It has a very substantial feel in the hand, with an all metal body, a very sturdy metal mesh grill, and a good amount of weight to it. There are no bells or whistles on this microphone either. It is a just a microphone with an XLR port so you don't screw anything up while you're performing on stage. 

The frequency response is listed as 40Hz - 18kHz. The frequency response on this mic begins to gradually roll off the bass at around 150Hz with a minor .5dB cut beginning at around 500Hz. From 500 Hz up to 1kHz, we see a gradual boost . and then we remain flat up to 2.5kHz at which point we begin another boost of ~ 3.5dB which remains relatively flat from 4kHz - 10kHz. There is a minor peak at 11kHz, and then a roll off that decreases steadily. 

The polar pattern of this mic is standard cardioid. The off axis and rear coloration are not terribly drastic which is a benefit. The main thing I noticed about this mic is how great it did at off-axis rejection. When playing an acoustic guitar a few inches away while singing, you could definitely hear the acoustic, but it was not distracting from the voice at all. 

The overall performance of this mic is excellent for stage use. On the electric guitar, you get some very bright and aggressive tones, as well as a nice bass roll off which cleans up the mix, and makes room for the bass to do it's job. On the acoustic you get a nice full body with plenty of high end attack which sounded very nice. Then on voice for singing the presence and treble boost allow this mic to cut through the mix, and the bass roll off helps tame any proximity effect, handling noise, or plosives. Unfortunately, the presence boost does introduce some minor sibilance issues.

freq.png
polar.png

Pros

  • Excellent performance in regards to handling noise & plosive rejection

  • Great off-axis rejection for a cardioid microphone

  • More extended high end for added clarity

  • Sturdy build quality for stage use

Cons

  • Presence and treble boost lead to S's sounding slightly sharp

Conclusion

For stage use I think this microphone performed excellent, especially for a cardioid microphone. This mics ability to reject plosives (better than most dynamics), avoid handling noise, and tame proximity effect makes this a great mic for venues who cater to artists who do not necessarily have the best microphone technique. If you're a podcaster or let's player who is also concerned with background noise and not afraid of a mic being in your face, I think this thing will do a fine job for you. No matter what use case you are buying this mic though, if you are using this on voice, make sure to pay attention to the sibilance as it is somewhat sensitive in that frequency range and you may need to eq some of that out of your recording. 

If you have any additional questions about this microphone, leave them on the youtube video, and I will try to reply ASAP. 

Buy the Sennheiser E935
US: https://amzn.to/2HmBLGU
UK: https://amzn.to/2FbKTvX
CA: https://amzn.to/2Jkld2Q
DE: https://amzn.to/2qOAF0j

Buy the Focusrite Scarlett 2i2 (2nd Gen)
US: http://amzn.to/2vDFbzK 
UK: http://amzn.to/2w8O2f6 
CA: http://amzn.to/2wKGKfG 
DE: http://amzn.to/2hbtxsV

IK Multimedia iRig Mic Studio Review

Today I'm reviewing another microphone from IK Multimedia, iRig Mic Studio.

For this review, I have the mic connected directly to my 2017 iMac with the input gain set at 10:00. I have done no post processing on the audio, it is all raw, but the audio was slightly boosted in final cut pro X to simply make the audio easier to listen to.

If you are interested in this microphone, it will set you back $150.00 on Amazon

What's In the Box

  1. Microphone

  2. Microphone Mount

  3. 5/8" to 3/8" Stand Adapter

  4. Desktop Tripod Stand

  5. USB-A Cable

  6. Lightning Cable

  7. Micro-USB Cable

  8. Storage pouch

  9. Documentation

Specifications

  1. Frequency Response: 20Hz - 20kHz

  2. Polar Pattern: Cardioid

  3. Sensitivity: ~-42dB

  4. Max SPL: 133dB

  5. Self-Noise: 11dBA

  6. Bit Depth: 24-Bit

  7. Sample Rate: 48kHz

Performance / Features

The build quality of this microphone doesn't give me anything to complain about. It has a metal body construction and a metal grill that feels sturdy. It is also a bit on the light side. These are all good attributes for a travel microphone. On the front you'll find a gain dial to adjust the microphone's gain, a multi-color LED light for metering, and a headphone volume control. Lastly, on the back of the microphone you'll find a 3.5mm headphone jack, which does not offer latency free monitoring.

The frequency response is listed as 20Hz - 20kHz. They do not have any frequency response published, but while listening to the audio samples it sounds as though this mic has a significant treble boost which gives it too much clarity, to the point that it starts to sound unnatural. Additionally, this mic has a rather prominent proximity effect, so if you mic any source closely, you will get a slightly scooped mid tone. 

The polar pattern of this mic is cardioid. It didn't do a good job at background noise rejection. There was a slight volume decrease as you move around the microphone, but the ambient noise, keyboard noise, guitar noise will be apparent in your recordings. 

The overall performance of this mic is fine, but I'm becoming pickier, and more curmudgeonly. First, the preamp is relatively quiet all the way up to 100%, the main noise introduced was ambient noise. The tone of this mic is overly bright, and this adds too-much clarity in my opinion which leads it to sound somewhat unnatural. As I already mentioned, if you mix this frequency response with the proximity effect, you will likely end up with a slightly scooped mid tone. Also when I compared this mics samples against flatter mics like the NT1, it had a minimal nasal tone.

Pros

  • Convenient since it's compatible with multiple OS (Mac, Windows, iOS, Android)

  • HD Recording (24-bit, 48kHz)

  • Relatively quiet preamp

  • Fairly good job at rejecting plosives

Cons

  • Overboosted treble frequncies

  • Lacks latency free monitoring

  • No specs included in documentation

Conclusion

This microphone is perfectly mediocre. Nothing really sticks out to me as a reason to buy it except for the almost universal compatibility. Other than that, I do not think that I can recommend it. This is mainly because the overly boosted high end leads to a unnatural tone which I am not a fan of.  I am also turned off by the lack of zero latency monitoring.

If you have any additional questions about this microphone, leave them on the youtube video, and I will try to reply ASAP. 

Buy the IK Multimedia iRig Mic Studio
US: https://amzn.to/2qF7X0O
UK: https://amzn.to/2HEi4v3
CA: https://amzn.to/2H8ig8U
DE: 

IK Multimedia iRig Mic HD Review

Today I'm reviewing an outdated microphone that has a newer model already released...the iRig Mic HD.

For this review, I have the mic connected directly to my 2017 iMac with the input gain set at 11:00. I have done no post processing on the audio, it is all raw, but the audio was slightly boosted in final cut pro X to simply make the audio easier to listen to.

If you are interested in this microphone, it will set you back $110.00 on Amazon

What's In the Box

  1. Microphone

  2. Microphone Mount

  3. 5/8" to 3/8" Stand Adapter

  4. USB-A Cable

  5. Lightning Cable

  6. Cable lock

  7. Storage pouch

  8. Documentation

Specifications

  1. Frequency Response: 40Hz - 18kHz

  2. Polar Pattern: Cardioid

  3. Max SPL: 134dB (3% THD)

  4. Bit Depth: 24-Bit

  5. Sample Rate: 48kHz

Performance / Features

The build quality of this microphone is sufficient. It has an all metal body and a sturdy feeling metal grill. It does feel a bit on the light side which makes me reluctant about the durability of this microphone's body. On one side you will find the microphone gain dial, and on the other side you will find a multi-color LED light which can be used for metering. 

The frequency response is listed as 40Hz - 18kHz. They do not have any frequency response published, but while listening to the audio samples it is apparent that this not as presence boosted as the majority of handheld dynamic microphones. 

The polar pattern of this mic is cardioid. The background noise rejection did not blow my socks off. At 90 / 270-degrees, there was almost no low frequencies; there was only treble. Once we got around the mic to 180-degrees, all the treble had been eliminated and the low end returned. 

The overall performance of this mic is a mixed bag. The tone of this microphone is pretty good (if you like flatter microphones). Because it is flatter it is more neutral, and is a bit more boring sounding. The preamp fairly quiet all the way up to 100%, but it is difficult to measure the actual noise floor since I do not have an anechoic chamber to test this in. On the other hand, it suffered significantly from plosives which could lead to ruined recordings. The handling noise was also pretty disappointing. 

Pros

  • Convenient since it's compatible with multiple OS (Mac, Windows, iOS)

  • HD Recording (24-bit, 48kHz)

  • Relatively neutral response compared to other handheld dynamics

  • Relatively quiet preamp

Cons

  • Lacks latency free monitoring

  • Suffers from plosives

  • Did not perform well with handling noise

Conclusion

If you are looking for a USB mic to run on your windows or mac computer, I would suggest you look somewhere else for a microphone. I say this because this microphone suffers so badly from plosives, it doesn't do well with handling noise, and it lacks latency free monitoring. Additionally the USB microphone market it very competitive so you can get a microphone that meets all your requirements for the same price if not cheaper.

On the other hand, if you're looking for a handheld dynamic microphone, that requires HD audio, has a relatively neutral frequency response, and runs to your iOS device over lightning cable, then your options are much more limited. I think in that case, this may be one of the only options you have, but i would suggest you check out the Mic HD 2 as it added the latency free monitoring, and hopefully they improved the plosive issue. 

If you have any additional questions about this microphone, leave them on the youtube video, and I will try to reply ASAP. 

Buy the IK Multimedia iRig Mic HD
US: https://amzn.to/2v9xvJ4
UK: https://amzn.to/2v6cDSY
CA: https://amzn.to/2EEZHDc
DE: https://amzn.to/2IN4RPW

Buy the IK Multimedia iRig Mic HD 2
US: https://amzn.to/2Hfgr9n
UK: https://amzn.to/2v7q2dn
CA: https://amzn.to/2EEGdhS
DE: https://amzn.to/2qqFZWt

 

Beyerdynamic TG-V70D Dynamic Mic Review

Today we're looking at a handheld dynamic microphone from Beyerdynamic, the TG-V70D.

For this review, I have the mic connected directly to the Focusrite Scarlett 2i2 2nd gen, with the gain set at 2:00. I have done no post processing on the audio, it is all raw, but the audio was slightly boosted in final cut pro X to simply make the audio easier to listen to.

If you are interested in this microphone, it will set you back $200.00 on Amazon

What's In the Box

  1. Microphone

  2. Microphone Mount

  3. 5/8" to 3/8" Adapter

  4. Documentation (including frequency response & sensitivity of the actual mic you bought)

  5. Carrying Pouch

Specifications

  1. Frequency Response: 25Hz - 18kHz

  2. Polar Pattern: Hyper-Cardioid

  3. Sensitivity: ~-49dB

  4. Impedance: 280-ohms

Performance / Features

The build quality of this mic is basic but robust. It has a standard tapered metal handle and a sturdy feeling metal mesh grill, which has a good amount of foam on the inside to attempt to reject some plosives. 

The frequency response is listed as 25Hz - 18kHz. The frequency response on this mic begins to gradually roll off the bass at around 250Hz, and then starts a drastic roll off around 150Hz. The low mids are flat, and then in the high mids we start to see a boost beginning at around 1.5kHz. This boost ends up peaking betwen 7-8kHz, and then begins a consistent roll off from 8 -18kHz. 

The polar pattern of this mic is hyper-cardioid. The 90-degree rejection on this mic is great. You have almost no low end, and the volume significantly decreases. When you get around to 180-degrees some low end returns, but the higher frequencies seem to disappear. In the tests I conducted, it did an excellent job at rejecting keyboard noise and acoustic guitar noise when they are in the null spots of the polar pattern. 

The overall performance of this mic is great. On electric guitar you're getting a tight low end without any muddiness, on the acoustic you get a nice body with a bit of shimmer on the high end, and on vocals you get amazing clarity with full low end which you can adjust by utilizing the proximity effect. 

freq.png
polar.png

Pros

  • Very detailed tone without sounding harsh

  • Prominent proximity effect that can be used to your advantage

  • Hyper Cardioid Polar Pattern assists in background noise rejection and feedback rejection

  • Minimal Handling Noise

  • Great Build Quality

Cons

  • Proximity effect can be a detriment if mic technique is poor

  • Not the best at rejecting plosives

  • Some may find it expensive in comparison to entry level live mics

Conclusion

I think this has become my new favorite handheld dynamic microphones. This thing cut right through mix on the vocals due to the presence and treble boost, and it also picked up minimal ambient noise, even when I was playing the acoustic guitar about 1 foot off-axis. The proximity effect also allows you to offset some of the detail, or beef up your voice if you have a thin voice. If you do not have good microphone technique, you will need to be careful on this thing because the proximity effect on this mic can be dangerous.

If you have any additional questions about this microphone, leave them on the youtube video, and I will try to reply ASAP. 

Buy the Beyerdynamic TG-V70D
US: https://amzn.to/2qkivlS
UK: https://amzn.to/2IFSllc
CA: https://amzn.to/2HmUe6X
DE: https://amzn.to/2II0CoR

Buy the Focusrite Scarlett 2i2 (2nd Gen)
US: http://amzn.to/2vDFbzK 
UK: http://amzn.to/2w8O2f6 
CA: http://amzn.to/2wKGKfG 
DE: http://amzn.to/2hbtxsV

Cyber Acoustics USB Condenser Mic (CVL-2006) Review

Today I'm reviewing a USB multi-pattern condenser microphone and I don't know what the proper name is. I think it's the Cyber Acoustics Tahoe, or Rainier CVL-2006, or Cyber Acoustics CVL-2006.

For this review, I have the mic connected directly to my 2017 iMac with the computers gain set to 100% and the microphone gain set at approximately 25-30%. I have done no post processing on the audio, it is all raw, but the audio was slightly boosted in final cut pro X to simply make the audio easier to listen to.

If you are interested in this microphone, it will set you back $70.00 on Amazon

What's In the Box

  1. Microphone

  2. Desktop Stand

  3. Foam Windscreen

  4. 1.5m Cable

  5. Documentation

Specifications

  1. Frequency Response: 20Hz - 20kHz

  2. Polar Pattern: Cardioid / Omnidirectional

  3. Max SPL: 124dB

  4. S/N Ratio: 121dB

  5. Bit Depth: 16-Bit

  6. Sample Rate: 48kHz

Performance / Features

The build quality of this microphone decent. It has a metal body, and a metal grill that feel sturdy enough. The desktop stand is flimsy feeling and offers no shock absorption so it picks up every bump of your desk. On the front you have a headphone volume control, microphone gain control, and an indicator light to let you know if it's plugged in and getting power. 

On the back of the mic you'll find a button to switch between cardioid and omnidirectional polar patterns. On the bottom you'll find the USB port to connect this to your computer, a 3.5mm headphone jack which does offer latency free monitoring (which cannot be turned off unless you turn the mic volume all the way down), and a 1/4" threading for additional mounting options (this is the standard camera mount size.

The frequency response is listed as 20Hz - 20kHz. I don't know if this is accurate, and no frequency response graph was provided. All I can say is that this thing sounds harsh and thin, and all around is painful to listen to.

The polar pattern of this mic is cardioid or omni directional. The cardioid polar pattern seems fairly wide so it tends to pick up a bit of room noise, and the omni polar pattern just sounds bad.

The overall performance of this mic left a lot to be desired. There's a constant underlying digital interference in the noise floor, the tone was painful to listen to while editing the video, the fact that you can't turn off latency free monitoring without muting the mic is irritating, and the fact that it doesn't have a standard mounting option just adds an additional cost.

Pros

  • Offers latency free monitoring

Cons

  • Harsh & Thin tone

  • Constant digital interference in the noise floor

  • Can't turn off latency free monitoring

  • Camera mount threading and not a mic stand threading

  • Flimsy desktop stand that picks up all bumps of deak

  • Bit depth limited to 16-bit

Conclusion

I do not recommend this microphone. In my opinion, this mic seems like it's attempting to compete with something like the Blue Yeti, but it fails on all fronts. I think you'd be better off saving some money by going with the Q2u, or spending the same amount on an ATR2100USB or AT2005USB. Or if you're deadset on a usb multipattern condenser microphone, go with the Blue Yeti. 

If you have any additional questions about this microphone, leave them on the youtube video, and I will try to reply ASAP. 

Buy the Cyber Acoustics CVL-2006
US: https://amzn.to/2JnORFh
UK: N/A
CA: https://amzn.to/2qa4s2c
DE: N/A

Samson C01 XLR Condenser Mic Review

Today we're not looking at another microphone from Samson, the C01.

For this review, I have the mic connected directly to the Focusrite Scarlett 2i2 (2nd Gen), with the input gain set at approximately 12:00. I have done no post processing on the audio, it is all raw, but the audio was slightly boosted in final cut pro X to simply make the audio easier to listen to.

If you are interested in this microphone, it will set you back around $75 on Amazon

What's In the Box

  1. Plastic Storage Box

  2. Microphone

  3. Microphone Mount

  4. 5/8" to 3/8" Stand Adapter

  5. Documentation

Specifications

  1. Frequency Response: 40Hz - 18kHz

  2. Polar Pattern: Hyper Cardioid

  3. Sensitivity: ~ -33dB

  4. Impedance: 200-ohms

  5. Max SPL: 136dB

Performance / Features

The build quality of this microphone is perfectly fine given the price. It has an all metal body as well as a sturdy metal mesh grill, and a good amount of weight to it coming in at 1.1 lb. On the front of the microphone you'll find a blue LED light that lights up when phantom power on your interface is turned on and on the bottom you'll find the XLR port. 

The frequency response is listed as 40Hz - 18kHz. The bass frequencies begin to roll off at 150Hz but peak again at around 95Hz before rolling off the remainder of the low frequencies. The mids and presence fluctuate quite a bit with a minor boost around 600-700hz, a peak at around 1.7kHz, 2.7kHz, and 5.5kHz, with a broad boost from 6Khz to 12kHz. 

The polar pattern of this mic is Hyper-cardioid. This means that the front is sensitive and the rear of the mic has a small lobe of sensitivity with the dead spots around 112-degrees. 

The overall performance of this mic lacks. As far as a vocal mic it seems to lack significantly in the low frequencies, sounds a bit nasally, and has some minor sibilance issues as well. On the electric guitar, I had to put the mic right on top of the amp to get some low end in the guitar, but it did end up sounding fairly decent. The acoustic on the other hand sounded brittle in the high end. Something that was not listed on the specifications sheet was the self noise, and when I was testing the mic, it seemed like a fairly big downfall of this mic. Finally, the tone of the mic all around was somewhat harsh and become painful to listen to after lengthy listening sessions. 

Pros

  • Pretty good build quality

  • Comes with a storage box

Cons

  • Subpar performance with self noise

  • Lacks in the low end

  • Sibilance issues

  • Harsh tone that became painful after long listening sessions

C01Freq

Conclusion

I was somewhat let down by this microphone. I have really enjoyed the majority of Samson mics on the market, but this one didn't meet my expectations. The frequency response left a lot to be desired in that it left the voice and guitar sounding thin and harsh. The self noise also makes this unusable for professional applications as well.

Due to how competitive the mic market is, I don't think I can recommend this mic. There are too many mics in this price range for me to recommend a mic that doesn't perform amazingly.

If you have any additional questions about this microphone, leave them on the youtube video, and I will try to reply ASAP. 

Buy the Samson C01
US: https://amzn.to/2JgDkHs
UK: https://amzn.to/2EdQZvt
CA: https://amzn.to/2pZmnJ5
DE: https://amzn.to/2pZZPZu

Buy the Focusrite Scarlett 2i2 (2nd Gen)
US: http://amzn.to/2vDFbzK 
UK: http://amzn.to/2w8O2f6 
CA: http://amzn.to/2wKGKfG 
DE: http://amzn.to/2hbtxsV

CAD U1000 USB Studio Condenser Mic Review / Test

Today we're reviewing a potato, I mean a microphone from CAD; the CAD U1000. This mic is listed compatible with Windows & Mac.

For the majority of this review, I have connected the mic directly to my mac computer with the computer gain set at ~35%. I have not boosted the audio at all in post, and there is no other post processing completed on the audio.

If you are interested in this microphone, it will set you back $40-$80 on Amazon

What's In the Box

  1. Microphone

  2. Wind Screen

  3. USB to USB cable

  4. Microphone Mount

  5. Desktop Microphone Stand

  6. Documentation

Specifications

  1. Frequency Response: 20Hz - 20kHz

  2. Polar Pattern: Cardioid

  3. Sampling Rate: 44.1kHz

  4. Bit Depth: 16-Bit

Performance / Features

The build quality of this microphone feels decent. It has an all metal body and a metal grill covering the capsule. On the front of the microphone you will find a blue LED light to indicate that it is receiving power. Directly beneath this, you will find a headphone volume up and down control. Next you'll find a microphone mute button that does not mute the microphone's signal to the computer, but rather mutes the zero latency monitoring. Lastly you will find a 3.5mm headphone port which does offer latency free monitoring.

The frequency response is listed as 20Hz - 20kHz. I do not think this microphone offers any sound worth discussing in depth. It is underwhelming and sounds exactly like you would expect a low end USB mic to sound.

The polar pattern of this mic is listed as cardioid. It did pick up a fair amount of audio as we moved around the microphone, and also picked up a bit of the quiet keyboard that I test while reviewing the mic.

The overall performance of this mic is mediocre at best. As you can tell, throughout the majority of the review (on the mac), there are clipping artifacts in the audio. I demonstrate how no matter what gain I set the mic at, there are clipping artifacts. On the windows machine this issue did not occur. My issue here is that the mic is listed as compatible with Windows and MAC, and just like other CAD mics I've tested, the performance on the MAC computer leaves a LOT to be desired.

Pros

  • Comes with everything you need

  • Fairly quiet preamp

  • Zero latency monitoring

  • Decent build quality

Cons

  • If you get too close to the microphone on a mac, it clips

  • Audio recorded sounds very mediocre

Conclusion

No I do not recommend this microphone, even if you can get it for the discounted $40. I think that the clipping issue on the mac is unacceptable and do not have faith in a company that would release a product like this.

Some of you may be thinking I'm being too harsh, and that this could be attributed to a faulty unit, however, I have tested out two other CAD microphones and experienced very similar issues, and was not able to receive any assistance from the company. For $40, I would suggest looking at something like the Samson Go Mic, and all around better microphone.

If you have any additional questions about this microphone, leave them on the youtube video, and I will try to reply ASAP. 

Buy it on Amazon
US: http://amzn.to/2lAwHGU
UK: NA

Marantz Professional Pod Pack 1 Review / Test

Today we are testing out a microphone pack that I picked up for $17; the Marantz Professional Pod Pack 1 Kit.

If you are interested in this microphone kit, it will set you back $17 on Amazon

What's In the Box

  1. Microphone

  2. USB Cable

  3. Microphone Mount

  4. Boom Arm Mic Stand

  5. Documentation

Specifications

  1. Frequency Response: 20Hz - 17kHz

  2. Polar Pattern: Cardioid

  3. Sensitivity: -34dB

  4. Max SPL: 132dB

  5. Impedance: 100-Ohms

  6. Power Requirement: 5v Provided Through USB Plug

Performance / Features

The build quality of this mic is nothing special. It has an all plastic construction and it does not feel like it can handle a beating. There are no features on the microphone; no headphone port, no light, nothing. The boom arm has an all metal construction, and feels very reminiscent of a Neewer Boom Arm, and I was not able to tighten the head to ensure the microphone would not swivel. 

The frequency response of this mic is 20Hz - 17kHz, and in all honesty, the mic sounds decent. It doesn't have the greatest low end performance, but it has a decent amount high frequencies without sounding harsh. 

The cardioid polar pattern, also did an admirable job. It did a good job at rejection on the sides of the mic, but as you move around the back, it starts to pick up low frequencies again. It also did pick up a bit of keyboard noise as well, but it wasn't unbearable. 

I was absolutely blown away by this microphones noise floor. This is typically the place where you can tell that you're using a budget usb microphone, but the preamps in this thing were extremely clean all the way up to 75%, at which point you start to get a slight bit of digital noise. But all around, the audio was still usable; all you would have to do is pass the audio through a noise gate.

Pros

  • Super cheap

  • Low noise floor

  • Decent audio performance

  • Comes with everything you need to start recording

Cons

  • Build quality feels subpar

Conclusion

When reviewing this mic, it was important to remember that I picked this up for under $20. For that price, I think that this microphone pack is an absolute steal. Out of all the budget USB microphones I have tested to date, this one has the best sound quality on instruments, on voice, and ESPECIALLY on the noise floor (apparent during the gain test). If you are looking for a budget USB microphone, then buy this pack and a pop filter and you should be set, and ready to start recording!

If you have any additional questions about this microphone, leave them on the youtube video, and I will try to reply ASAP. 

Buy it on Amazon
US: http://amzn.to/2lumDvv
UK: http://amzn.to/2ksfGv2

Rode M3 Condenser Mic Review

Today, we're looking at another microphone from Rode; the Rode M3. 

This is an XLR condenser microphone, which means you will need to connect this to an audio interface that offers +48v of phantom power. For this review, I have connected the mic to my computer using the Focusrite Scarlett Solo, with the +48v phantom power turned on and my gain set around ~55%. In post, I did boost the signal +8dB as well, but no actual post processing was done.

What is really unique about this microphone is that it is Multi-Powered, meaning you can power the microphones capsule through different methods; with the standard +48v phantom power, or with a 9v battery!!!

If you are interested in this microphone kit, it will set you back $150 on Amazon

What's In the Box

  1. Microphone

  2. Pouch

  3. Microphone Mount

  4. 5/8" to 3/8" Mic Stand Adapter

  5. Windscreen

  6. Documentation

  7. 10-Year Warranty

Specifications

  1. Frequency Response: 40Hz - 20kHz

  2. Polar Pattern: Cardioid

  3. Sensitivity: -40dB

  4. Max SPL: 142dB

  5. Impedance: 200-Ohms

  6. Phantom Power: 48v or a 9v Battery

Performance / Features

The build quality of this microphone feels incredible. It has a full metal construction that feels extremely well put together, as well as a decent amount of weight to it. This thing feels like an absolute tank. On the side we have a 3-way switch that allows you switch between 1) Off, 2) flat frequency response, 3) low cut filter. When you unscrew the bottom, you will find another 3 way switch that allows you to turn on a -10dB or -20dB pad, as well as a spot to install a standard 9v battery.

The frequency response of this mic is 40Hz - 20kHz. The electric guitar sounded pretty good, offering a decent amount of low end and plenty of crispy high frequencies. On the voice it did seem to lack a bit of lower frequencies, but it still sounded absolutely usable. Then on the acoustic guitar, it sounded incredibly natural. What I liked most about it was the percussiveness that it picked up from the strumming. This is a personal preference of mine, and it is one of my favorite mics I've come across for acoustic guitar.

The cardioid polar pattern did a nice job at background noise rejection. In a studio, I think this would work well for live tracking as it would help minimize bleed between microphones. For gamers and podcasters, it does seem like it would work well at eliminating background noise, but it may still pick up more than what you desire.

Pros

  • Battery Powered

  • Great build quality

  • Great Natural Sound

  • 10 YEAR WARRANTY!!!

Cons

  • Lacks low end on voice

Conclusion

I think this microphone is EXCELLENT for the price. It is absolutely going into my rotation of mics I use for recording music. The tone is absolutely not going to be for everybody, but if you are looking for a microphone with a more mid/high focussed frequency response, then I think this is a great option.

If you run a professional studio, or you do a lot of interviews/recording in the field, I think this would be a great mic to add to your arsenal. Not only does it have an incredibly high Max SPL which will handle loud instruments really well, but it also allows you to power the mic with a 9v battery! Therefore, if you're ever out in the field, and don't have access to a phantom power supply, you don't have to worry.

I don't think I would PERSONALLY recommend this for podcasting or gaming because the tone doesn't seem to fit my voice. But if you have a deeper voice, this may provide the right frequency response which would help avoid too much bass while maintaining a crisp and clean high end. Another downside for this applications is that the polar pattern might also pick up more background noise than you would prefer. 

If you have any additional questions about this microphone, leave them on the youtube video, and I will try to reply ASAP. 

Buy the M3
US: http://amzn.to/2jjNFaP
UK: http://amzn.to/2jjx8Uq

Buy the Focusrite Scarlett Solo
US: http://amzn.to/2jpDz96
UK: http://amzn.to/2iA4ZER

MXL-770 vs MXL-990 Comparison (Versus Series)

MXL-770

  • Price: $65
  • Frequency Response: 30Hz - 20kHz
  • Polar Pattern: Cardioid
  • Max SPL: 137dB
  • Impedance: 150-Ohms
  • S/N Ratio: 74dB

MXL-990

  • Price: $78
  • Frequency Response: 30Hz - 18kHz
  • Polar Pattern: Cardioid
  • Max SPL: 137dB
  • Impedance: 110-Ohms
  • S/N Ratio: 78dB

Today we're comparing two microphones from MXL; the MXL-770 and the MXL-990. They do look similar on paper, but there are some very important differences that I found when listening extremely closely to the microphones.

First off, the build quality of these mics is very similar. They both have a full metal construction, and a metal grill. They do feel a bit on the light side when comparing them to more expensive condenser microphones. The 770 is quite a bit larger than the 990, and also has a -10dB pad switch and a bass rolloff switch to help when recording loud instruments. Due to the 770 providing additional options, I will declare the 770 the winner of the build quality.

The frequency response is where the main difference shows up. The MXL-770 ranges from 30Hz - 20kHz, and the MXL-990 ranges from 30Hz - 18kHz. This would lead you to believe that the former would have a more prominent high end, but that's not what I found. I found that the 990 lacked quite a bit in the low end, and the higher frequencies were a bit harsh/shrill. The 770 had a much fuller low end without sounding overly muddy, the high end was not overbearing, and overall it provided a much smoother sound. Therefore, I am declaring the 770 the winner of the frequency response section as well.

The polar patterns of both mics is very similar, and there's no winner here. The Max SPL is also the same for both microphones, so there is no winner here.

Therefore, the winner of today's Versus Series is the MXL-770. To my ears, this microphone just provided an all around better tone. It had a well rounded low end and a decent amount of high frequencies without becoming unbearable, all while providing a very smooth and natural sound. I do want to note that for these comparisons, I am VERY nitpicky, and either of these microphones will likely perform well for any beginner's home studio. It really just comes down to what your personal preference is. 

Buy the MXL-770
US: http://amzn.to/2jpxjeP
UK: http://amzn.to/2iquk7h

Buy the MXL-990
US: http://amzn.to/2jdsveG
UK: http://amzn.to/2iNrAPg

Buy the Focusrite Scarlett Solo
US: http://amzn.to/2jBSauD
UK: http://amzn.to/2iqltTj

 

TONOR BM-700 XLR Condenser Microphone Review / Test

Today I'm reviewing a new microphone from Tonor; the BM-700. 

I do need to mention that this microphone was provided to me by Tonor in order for me to conduct this review. 

For the majority of this video, I'm connecting the BM700 to my computer using the SYBA Stereo USB Soundcard with my gain set at approximately 4%. Keep in mind that this is an XLR, electret condenser microphone, which means it does require some voltage in order to work properly. Connecting this microphone directly to your motherboard's microphone input will likely not provide great results, so I suggest the SYBA USB Soundcard, or a full Audio Interface that offers phantom power (Focusrite Scarlett Solo).

If you are interested in this microphone kit, it will set you back $16 on Amazon

What's In the Box

  1. Microphone

  2. Windscreen

  3. Shockmount

  4. 5/8" to 3/8" Mic Stand Adapter

  5. XLR to 3.5mm Cable

  6. Documentation

Specifications

  1. Frequency Response: 20Hz - 20kHz

  2. Polar Pattern: Unidirectional

  3. Sensitivity: -34dB

  4. Impedance: 150-Ohms

Performance / Features

This microphone's build quality is exactly like all the other BM-700's and NW-700's on the market. It has an all metal construction, but is on the lighter side of things. However, I do think it will be able to last quite a while when it is taken care of properly. It also offers no additional features; it just has an XLR plug on the bottom of the microphone. 

The frequency response of this mic is listed as 20Hz - 20kHz, which is nice to see. The audio quality is nothing outstanding, but you can't expect flawless audio out of a microphone that costs about $16. The low end is not overly muddy, and the higher frequencies are not harsh. However, it lacks certain frequencies that really capture the energy of a performance.

The polar pattern of the microphone is Cardioid. During the tests, it did seem to pick up audio all the way around the microphone, but as you move away from the front of the mic, the majority of frequencies drop off. There was also a fairly drastic drop off as I moved away from the microphone. Lastly, it did decently at ignoring background noise, but it should be noted that I use an apple magic keyboard, which does not have mechanical switches.

Pros

  • It is Cheap!

  • Good audio for the price

  • Decent at background noise rejection

  • Can function on ~4.5v up to +48v

Cons

  • Doesn't capture performance's energy

Conclusion

In all honesty, due to the fact that this is a sub-$20 microphone, I struggled to find any real cons. For the price, I think it performed pretty damn well. However, I was expecting this performance since I have tested out this exact microphone under multiple different company names.

I'm definitely not going to recommend this if you're looking for a main microphone to launch a professional studio and charge a high hourly rate. But, if you are just starting on youtube, or want to launch a podcast or voice over career, I think that this is a great starting point. It will allow you to get very usable audio without breaking the bank, and if you enjoy that project, you can upgrade down the line without feeling guilty about this mic going to waste.

If you have any additional questions about this microphone, leave them on the youtube video, and I will try to reply ASAP. 

Buy the BM-700 Kit
US: http://amzn.to/2ihnBdv
UK: http://amzn.to/2iH731s

Buy the SYBA Stereo USB Soundcard
US: http://amzn.to/2jgNIpb
UK: http://amzn.to/2iH91yX

Buy the Focusrite Scarlett Solo
US: http://amzn.to/2iHnGdr
UK: http://amzn.to/2ihqPOj

Samson Q7 Dynamic Mic Review / Test

Today I'm talking about a dynamic XLR microphone by Samson; the Samson Q7 Dynamic Microphone.

This is an entry level dynamic microphone that has an insanely high Max SPL of 150dB. This leads me to believe that this would work great in a live situation.

For this video, I am connecting the mic to my computer using the Focusrite Scarlett Solo with my gain set at approximately 75%

If you are interested in this microphone kit, it will set you back $50 on Amazon

What's In the Box

  1. Microphone

  2. Mic Mount

  3. 5/8" to 3/8" Mic Stand Adapter

  4. Hardshell Carrying Case

  5. Documentation

Specifications

  1. Frequency Response: 50Hz - 18kHz

  2. Polar Pattern: Super Cardioid

  3. Sensitivity: -57dB

  4. Max SPL: 150dB

  5. Impedance: 200-Ohms

Performance / Features

This mic has no frills or special features. No lights. No switches. Nothing. As far as the build quality, the construction is all metal and it feels incredibly sturdy and well put together. It also has some really nice weight to it. It feels like this mic would be able to handle the wear and tear of live use. 

The frequency response of this mic is pretty standard for a dynamic microphone, ranging from 50Hz - 18kHz. However, the sound signature is not my favorite of the dynamic mics I've tested. While listening to the acoustic it sounds like it lacks some high-mids while sounding a bit boomy in the low-mids. All in all, not my favorite EQ from a Samson microphone.

The polar pattern of the mic is Super Cardioid, which means it is extremely focussed. As you can tell during the tests, as soon as I move a little bit off axis the audio drops significantly. That is why I think this microphone would be an excellent decision for live performances as well as those who are concerned with excessive background noise.

Pros

  • Great build quality

  • Hardshell Carrying Case

  • Extremely directional (superb noise rejection)

  • Relatively cheap

Cons

  • Quiet output

  • Not the best EQ tuning

Conclusion

I think this microphone is nothing more than a middle of the road dynamic microphone. It's not a mic I anticipate using for anything in the future, but I won't go so far as to not recommend it. 

If you are looking for a relatively cheap microphone for live performances, I think that this would be a great option since it has excellent noise rejection as soon as you get off axis. This means it would work well if you are playing with a full band, as your vocal mic would ignore quite a bit of the guitar amp/drums/etc.

Another use case I think this microphone would be fine for would be let's plays. Once again, the mic does great with noise rejection so you will not pick up as much of your keyboards noise as you would with a regular cardioid condenser mic.

Other than that, I think that you can find a better option within the same price range. 

If you have any additional questions about this microphone, leave them on the youtube video, and I will try to reply ASAP. 

Buy the Samson Q7
US: http://amzn.to/2hIam7G
UK: http://amzn.to/2i0AmsG

Buy the Focusrite Scarlett Solo
US: http://amzn.to/2iFxsKW
UK: http://amzn.to/2i0CrVE

Buy the XLR to USB Cable
US: http://amzn.to/2hIjivn
UK:http://amzn.to/2hIrQ5B